Airlift Productions Recording Studio & PROduction House, New Orleans Panoramic Studio Pic… My digital-meets-analogue “more than a man cave” connection to the planet.
With all the equipment in the Airlift Productions studios – bouncing meters, glowing lights, ‘bells & whistles’ – the one thing visitors and clients seem to remark the most about is, strangely enough, the Window!
Its custom-cut, stained glass beauty captures every New Orleans sunset from it’s setting in the western wall of the studio, and gives constant feedback on current sky conditions as it reflects the tempo of each and every recording day.
Inspired by ancient Mayan illustrations and pyramid hieroglyphics, it was custom-designed to carry the colors of the Airlift Studios into its intricate artwork – from the passionate purple of the walls to the midnight blue carpet & charcoal grey acoustic foamed walls.
“The Gift of Life”, as it is called, symbolizes the spiritual journey of man.
At the center is the flame-like symbol of God who is Light & Life, the Creator of All.
The Triangle – symbolizing Mind, Spirit & Soul enlightened by God in its midst – is within the circle that signifies God is All in All, without beginning or end.
Surrounding the circle are the glyph signs for sky, earth’s abundance, and precious water.
And this magnificent artwork accomplishes all this spiritually without being overtly religious, to say nothing of ‘choosing up sides’ – favoring one religion, faith, or approach over another.
“The Gift of Life” also serves as the perfect backdrop and vibe for all the intensely creative audio projects & work being recorded and captured at the Airlift Productions Studios.
The Airlift Productions “Engine Room” ~ a view into the studio control room, as seen from the Talent room, along with the “Gift of Life”, Myron’s Discobolus … and the Laughing Christ.
Airlift’s Micheal Ziants (Right) with actor Joe Renier, On-Camera with TLW Productions for Seacor Marine … deep in the Gulf of Mexico
“We’ve worked with Mike for over 20 years, both as voice over and on-camera talent in more than 50 films. Not only is he a great guy and a super talent, but he has the coolest recording studio in the South.” ~ TIM WESTON, President TLW Productions, New Orleans, LA, USA
Early Mornings around the Airlift PROductions Studios have a different beat than most recording studios or production houses, a different vibe.
Reflective. Quiet. Thoughtful. Picture Paul & Art in the background, choirboys Simon & Garfunkel harmonizing, or Chet Baker’s horn, and that would be about right.
The way most see it, my problem is that I’ve never been ‘right’.
Except when the whole world turns Left.
As America gobbles down fast food by the truck-full – I’ve got the crock pot going in the kitchen – for eight hours.
While most folks knock themselves out in a morning commute to a job – I’m traveling up-hill at ten mph on a Nordic track cross-country ski machine – meditating!
Even people who don’t know the most – know that I believe in ghosts.
Truth be known? I’ve always been this intensely mystical, metaphysical space cowboy. Color outside the lines? Wait a tick, you mean, there are lines?
Go ahead!
Nip it, tuck it, tint it, lift it. All you want. Do what you will with the body, but it’s just a place your memories call home. And as the white man is often wont to say, at the “end of the day”/death? That body of yours is just a fingerprint that your soul has left behind.
Reality? It’s all in the eyes of the beholder. Or, make that ‘in the eyes of the beer-holder’ – in bars & nightclubs all around New Orleans and America every weekend.
Complaints? Mine are few. My life has been blessed, besting many radio, studio & tech challenges, along with more than my share of fascinatingly captivating women across many state lines and across many decades.
Yeah sure, I’ve seen sorrow and I’ve seen pain. I’ve been burnt by the blazing sun… and drowned in the pouring rain. (Thank you, Joe Cocker.)
But through it all – Spirit, Music & Humor have always seen me through! And onto the other side of all that pain and rain.
A classic case in point? I once received a post card from the ex-wife containing the image below, and the note said simply, “Having a great time, wish you were here.” 🙂
The late MIKE WELDON (Left) along with the late JAY THOMAS. America – and the world of comedy – sure misses these two.
“I would like to say something about Airlift and the man behind the mic, Mike Ziants. I have worked many years with him and to say the experience was awesome seems about right. This man is like a painter with audio. When I thought the session was fine, Mike would find ways to enhance it and make it so much better. If you or your company is in the market to make a commercial or film or anything in the entertainment field, you should go to Airlift you’ll be glad you did.” ~ The Late Comic Extraordinaire MIKE WELDON
MIKE WELDON VOICE & IMPRESSIONS DEMO produced by Airlift Mike at the Iberville Street Airlift Studios – all on Reel-to-Reel Tape in 1994 —- Sure do miss ya’, brother Mike.
< Editor’s Note: Given that here in 2025 I have been dubbed the Imaging Announcer for the Premiere Network’s “YOUR MORNING SHOW WITH MICHAEL DELGIORNO” every weekday morning on finer iHeart Radio Stations across America, I’m re-posting this choice, fun & funny interview from 2017 wherein the two Mikes finally meet!
Sadly, the Country Music Concert Slaughter in Las Vegas & the death of Tom Petty were what spurred the phone call in 2017. Enjoy…mgz >
WTN Nashville’s Talk Show Host MICHAEL DELGIORNO at the studios, along with a close friend, Donald who?
Would I be able to make myself available for an interview the following morning with Michael DelGiorno?
Well, color me intrigued.
Of course I agreed, and then found myself back on the air in Nashville on October 4th, 2017 being “grilled, chilled and thrilled” (sorry Acme Oyster House) by Michael DelGiorno himself!
As the fates would have it, growing up in New Orleans as the son of famed WWL talk show host Bob DelGiorno, young Michael was an unabashed fan of that Q-93 Radio Mike McCann dude.
Together with stories about meeting me briefly back in the 1980s at the WQUE studios and the huge impact my on-air work had on him back in the day, he salt ‘n peppered-in probing questions about the way I dressed back then (my choice of jeans) – and even this choice one, “Did you ever date (then-WDSU-TV Anchor) Lynn Gansar?”
It was all a lot of FUN. And very, very flattering.
We reminisced, caught up and laughed – HARD – about many things – my early WGNO-Tribune TV announcer days, Scoot’s transition to talk radio (not pretty), and the times I recorded both his dad, for TV-radio spots, and his brother Bobby, for Ray Brandt TV-radio campaigns at the Airlift Productions Iberville location in the ’90s.
And it all came out of Nashville radios like this….
**** 10-4-17 WTN Nashville Interview with Mike McCann ***
Gee, the POWER of radio, huh?
As I traveled town-to-town all those years – Harrisburg to St. Louis, on into Nashville, then Philadelphia, and on to New Orleans, I always thought of myself as a modern day ‘Johnny Appleseed’, sowing little seeds and nuggets of wisdom & whimsy among the records I played.
But little did I know, until just last week, that one would find fertile soil in the heart, soul and mind of little Mikey DelGiorno.
I do now.
Chalk another one up to the powerful – yet intimate – MAGIC of radio.
Oh yeah, and a free dinner and Tennessee Titans game are now but a cell phone call and a road trip car ride away.
L-R, Heath Allen, Theresa Andersson, Micheal Ziants, Rich Lenz – during a break from the original HEALING HOUSE sessions, Airlift Productions 2004
“For years, I have worked with Micheal Ziants and Airlift Productionsrecording songs for Children’s Hospital and the Children’s Miracle Network. Mike’s attention to detail is legendary, but his commitment to the kids and the challenges they face goes far beyond that. He gets it. Professionally, he’s as good as it gets. Everyone SOUNDS better after a session with Mike. And no matter what the audio project, you FEEL better after a session with Airlift. That’s “Z” truth! ~ Heath Allen, WDSU-TV Reporter, and veteran guitar picker
Veteran New Orleans Voice Talent Micheal Ziants with trusty sidekick & mascot The Shadeaux
Although I live in Louisiana, the Sportsman’s Paradise, I do not hunt and shoot animals, I do not own a gun…shucks, I don’t even play golf!
THIS is what I do.
Giving LIFE to the printed word, making simple text & fonts on an iPad or piece of paper BREATHE and create emotion in the mind of the listener is what I do.
And then, I further animate those living, breathing words with soundscapes – musical backdrops and sound effects which enhance and complement the human voice.
You know, the stuff that comes out of your radio speaker, or the flat screen TV in the background at the bar, or deep in your inner ear canal from earbuds, stuff like this….
And with roots in the great state of Pennsylvania, now firmly re-planted for over forty years in the bayou state of Louisiana, it’s kind of strange to say but here in 2024 I feel a stranger to both.
I don’t talk like your average N’awlins folks (“Wherey’at, dawlin’?”), I have a growing disdain for the yearly bacchanal called the “Mardi Gras”, and yet I have no desire to return to the ice-packed, snow-covered northeast.
New Orleans Voice Talent & All-around Audio Dude Micheal Ziants, Airlift Mike
A man without a country.
But I DO have one thing most don’t – a vocation that is also my vacation. And there’s solace in that.
On top of that, it’s a vocation that due to technological and digital advances affords me the opportunity to be heard by–and work for–anyone, anytime, and anywhere on planet Earth!
While the VoiceOver arena is today an incredibly competitive and increasingly overcrowded field, it’s an honor to throw my headphones into the ring every day from America’s most fascinating city, New Orleans, warm-up the Airlift Productionsmicrophones, and create compellingly convincing audio for clients near and far.
And the challenges and obstacles are far more daunting than shooting deer, flushing-out ducks, or spending weekends chasing a little white ball around a golf course.
** Airlift Miketaking a “shot” at Movie Trailer V-O – “Gladiator” **
Outcast? Rebel? Well, sort of, I guess.
But in the meantime, life in Louisiana certainly has its upside, too – cargo shorts & flip-flops year-round, I haven’t bought snow tires in years, and I sure have become a Saints fan. Who Dat?!?
“Micheal Ziants is a great voice talent who is generous with his time and energy. I have worked in TV for years, but needed the guidance of a professional to create my radio reel and found it with Ziants. He made me feel comfortable in studio and encouraged creativity, coaching me to a reel I hope will bring many job opportunities. “ – RACHEL WULFF, former WWL/WDSU-TV Anchor & Reporter
(L-R) Charlie Biondo, “Miss Linda” Mintz, Micheal Ziants, celebrating over 3,500 units sold, “Soft Words, Warm Nights”
While the world was still calling the genre “Books-On-Tape” in 1993, Airlift Productions self-published and successfully sold spoken word CDs to libraries across America – and to the world via thePlayboycatalog.
I realize that this all sounds a tad mad, but let me tell you the story.
I first met New Orleans icon “Miss Linda”, Linda Mintz, during a session at the Airlift Studios on Iberville street in 1993 while recording radio commercials for a local client.
Our muses, along with the stars, somehow aligned after that session while Linda and I discussed our love for poetry… as we hatched the egg of an idea for an outfit we dubbed “WordMusic”.
“Miss Linda” Mintz & Micheal Ziants (McCann), during recording sessions for “Soft Words, Warm Nights”, Airlift Productions, 1993
Linda, long known and loved by generations of New Orleanians as Romper Room’s “Miss Linda”, had been reared with a love and respect for the magic of poetry.
Yours truly, while working all over New Orleans airwaves as a commercial voice and producer, was looking to create a self-published project that had “legs”, would be “evergreen” and that we could get behind and market to the world.
Produced on Iberville Street (all on reel-to-reel tape), voiced by Linda & me, and backed by husband Albert Mintz… we called the project “SOFT WORDS, WARM NIGHTS”.
** “I Love You/A Bright New Land”… Soft Words, Warm Nights excerpt with Linda Mintz & Micheal Ziants **
Imagine the world’s most romantic poetry lovingly rendered – and cast against the lush backdrop of the sounds of nature, coupled with a meditative new age score.
Score one for the kids on Iberville Street!
** Bess, the landlord’s daughter sacrifices herself to save her lover, Mike Ziants reads the classic, “The Highwayman” from SWWN **
Together with marketing pal Charlie Biondo, we drew the attention of Bayside Distributors in California, produced cassette tapes AND CDs in 1993, were successfully reviewed by all the major trade publications, and took it to market!
** “Will You Love Me When I’m Old?” from SWWN **
After selling over 3,500 to libraries across the U.S., we attended the American Booksellers Association trade show in Chicago, where I personally pitched the project to Hugh Hefner!
“Soft Words, Warm Nights”, featured in the Playboy catalog, 1995
Hef was back in his hometown that weekend to promote Playboy’s 40th Anniversary coffee table book and, little did he know it – but get a fast pitch from Micheal Ziants.
Playboy Magazine’s catalog then featured our “Soft Words, Warm Nights” in several editions, helping us to move over 500 units, saying that our CD created “Irresistible Ambiance”.
While I caught a lot of kidding & ribbing from family and fellow radio pals here in NOLA over this entire escapade, it remains one of my favorite stories.
What wasn’t so pleasant?
In an attempt to get a major ongoing distributor for our work, upon sending our CDs to every single major AudioBook publisher at the time, we were not only turned down – but ripped off!
“Soft Words, Warm Nights” CD artwork, Airlift Productions/WordMusic 1993
As the idea – romantic spoken word, produced with music & sound effects – was copied within a year by many of them, along with known Hollywood actors that carried marquis–type names.
(Sigh!)
Oh well, as the Bard once opined, “It is better to have loved and lost… than to have never loved at all.”
Besides, it still makes for great “Did-you-hear-the-one-about-the-BIG-one-that-got-away?” type stories around the bar and NOLA parties.
Furthermore, as Churchill reminded us all, “Never. Never. Never. Give up!”… and from the vernacular, “He who loves and runs away, lives to fight another day.”
Airlift Mike, Micheal Ziants, reads James Patterson’s “The Chef” for Hachette AudioBooks, NYC/Paris
I haven’t. (Given up.)
And.. I have! (Lived for another day.)
I mean, back in the 1990s, how was I to know that here in 2019 my path would intersect with one of the world’s biggest and best-selling authors?
“Now showing” on earbuds near you, from the Hachette AudioBook Group, and today available on all worldwide platforms… Micheal Ziants narrates and interprets James Patterson’s“THE CHEF”.
And trust me, gang – Soft words and a warm night, this ain’t!
“Working with Airlift Mike in NOLA was an utter pleasure. I was in town for business for a month and needed to maintain my audiobook recording schedule. Mike was accommodating and a pure professional. He mastered the punch and roll technique in 24 hours to be ready for our first session, and over the course of the month we laid down 5 books and a number of auditions. His studio sounds great. The vibe & atmosphere can’t be beat. You’d be hard pressed to find a better recording studio in the southeast – no matter what your needs. I wish I could have stayed!” ~ Amy Landon
Ya know, when folks today ask me for my opinion on the concept of reincarnation, my response is, “Why not? After all, look at our Huey P. Long – he came back as a bridge! And personally, I’ve already lived many different lifetimes within THIS one!” And then I begin. To. Tell. This. Story…
It’s long been said that the Devil dances in empty pockets. You’ll also hear that the Devil is in the details. And while most in New Orleans know me as Mike McCann… in the Fall of 1979, as John Saint John, I was dancing a very detailed jig with the Pulitzer Family along the banks of the Mississippi in Saint Louis, Missouri.
This whole blog post was triggered by a rather innocent enough email to theAirlift Productions Studios from a Lance Hildebrand (traffic reporter/VO guy), looking for a studio to work from while visiting New Orleans. The subject line was “We’re both KSD Alums”. Really?
Saint John Congratulations letter from the office of the PA Attorney General, Harrisburg, PA 1978
Hired by the Pulitzer Family in the summer of 1978, I’d packed up my entire life, hopes & dreams and moved over 800 miles from Harrisburg, PA to take on the afternoon drive shift at 55-KSD radio in St. Louis. Excitement was hardly the word!
That summer the Pulitzers held and owned pop/adult 55-KSD Radio, NBC-affiliate KSD Television, AND the property that first put them on the map – The Saint Louis Post-Dispatch, the most widely read paper in town. Long before there was a radio or a television set, Joseph Pulitzer had made his name in print. The “Prize” was to come years later.
Little did I realize when I first took the job that this stunning combination of power, strength and reach would serve to ultimately lead to my untimely dismissal.
** KTVI-2/St. Louis Don Marsh Feature on John Saint John, 1979 **
Let’s face it, in 1979, before the birth of the internet, the web & a digitally-connected America – one company could, in effect, monopolize what people would read in their newspaper, listen to on their radio, and watch on their television! I mean, what else was there?
Apparently, by 1979, the FCC had come to the same conclusion.
The Ronald Reagan years of deregulation and consolidation were yet to come, and the Federal Communications Commission, the government’s watch dog, had been wagging its paw at the Pulitzer clan for quite some time. And the time had come.
KSD Radio’s Name Game Promotion, as it appeared in the St. Louis Post-Dispatch
Music DJs Ron Morgan, Ed Scarborough, and yours truly were all shown the door as Combined Communications out of San Diego purchased KSD Radio from the Pulitzers, changed the format to News/Talk and decided to duke it out with KMOX.
Ironically, my afternoon news dude, the amazingly & wickedly talented Bob Hamilton, was retained through the transition, and later went on to legendary status at longtime CBS kingpin KMOX. No longer with us, but let’s hear it for the on-air longevity of an outstanding newsman’s career.
Micheal Ziants wedding to Cookie, along with mom & dad, Creve Coeur, suburban St. Louis, 1979
Yes, despite my #1 ratings with women 25-49 in afternoon drive at 55-KSD – precisely what Lee Fowler, Ed Newsome and the Pulitzers had hired me to do – newly married and with a child on the way, along with the rest of the on-air music staff, I was summarily let go/fired in the late summer of 1979. A pawn in quite the elaborate and corporate chess game.
But as my pop used to say “Illegitimus non carborundum est” (Latin for ‘don’t let the bastard grind you down’). I picked myself up, dusted myself off … and headed to Nashville. But that’s the story for another blog another time.
Indeed, those late summer nights after Cardinals games, I dreamed of having quite the career in Saint Louis, maybe after radio parlaying my on-air work into writing for the Post-Dispatch one day, but that story was never to happen.
Dancing with the Devil? He’s in the details? You betcha’! And I guess I should have seen it coming. When radio got into bed with big business, you knew it wasn’t going to end pretty.
And when you get into bed with the Devil … you better be prepared to get it on.
Toby Ricketts Instagram-Twitter ‘Selfie” taken in the Airlift Productions booth
“Working on the road can be a pain for voice artists – I was so glad to find Airlift studios on my travels, just outside NOLA CBD! What a beautiful, cozy, and quiet space to work in. Micheal was an absolute pleasure to work with, being 100% professional and 100% nice guy! If I’m ever in the Big Easy again, I’ll be sure to stop in and see Mike at Airlift Productions.” – TOBY RICKETTS, New Zealand-based, award-winning, world-class VoiceOver Artist
From AudioBook-fed earbuds on a London commuter train to grief-stricken Cancer patients gathered around iPads in New Orleans… now throw in interstate-clogged, radio-driven commutes into work from Sacramento, CA to Washington, DC & from Akron, Ohio to Tampa Bay, Fla. – how remarkable here in 2024 to be…
EVERYTHING.
EVERYWHERE.
ALL AT ONCE.
But the fact is that AudioBooks I have narrated and/or produced here at Airlift PROductions are being consumed at any given moment on any given continent, while at the same time, weekday mornings my radio imaging VO tracks are LIVE driving conservative talk iHeart radio stations across America!
Airlift Mike narrates “The Evil I Have Seen” from Robbo & P.J. Jones * Excerpts
As “Mike McCann” ** Radio Imaging for Michael DelGiorno on iHeart Radio
Meanwhile, at the very same time, the podcasts I’ve produced for the gang down at Ochsner Health Institute continue to dole out downloadable sage advice around the clock 24/7/365 to the Gulf South and beyond on surviving “The Big C”.
Ochsner Cancer Docs Colon Cancer Podcast Excerpt
See what I’m sayin’?
EVERYTHING.
EVERYWHERE.
ALL AT ONCE.
What a trip, huh? And a virtual one, at that. All made possible by harnessing the tech – analogue & digital toys & slick DAWs connected to wicked-fast internet fiber – and marrying it to an exhilaratingly creative, relentless, indefatigable (you like these words?) work ethic.
What a trip is right! And one that would have given pause to old H.G. Wells, Jules Verne, or George Orwell. Even old Rod Serling would’ve lit up a lung dart to stare unblinkingly into the camera and muse over the possibilities.
Yours truly at the Airlift Productions Spirit Soundcraft mixing desk
“I met Mike in 2004 working on a recording project for WDSU’s Children’s Miracle Network telethon benefiting Children’s Hospital and we became instant friends. He’s the best at what he does, an all-around great guy and fun to hang out with. The folks that call Bag of Donuts’ hotline to book my band and buy our merchandise are greeted with a first impression of Mr. Ziants navigating their call and have told me that our professionalism stands out, which is exactly what we are going for and why we partner up with the best!” — JERRY CHRISTOPHER, JR * FOUNDER & BAND LEADER OF BAG O’DONUTS, NEW ORLEANS’ MUSIC HALL OF FAME HONORED ALL-TIME FAVE COVER BAND
In week three of the 2024 Atlantic Hurricane Season, some personal reflection —The National Weather Service defines the “Eye” as the region of mostly calm weather at the center of strong tropical cyclones.
Metaphorically, then, while the ever-changing media & technology would be the tropical cyclones/hurricanes, Airlift Productions & I would be the ones whohave for forty years now resided… calmly persistent & steady – in the hurricane’s eye.
The Airlift Productions logo, conceived & trademarked in 1984, and re-imagined for the 21st century
In 1984, the needs of my first full-time client – WGNO-TV/Tribune Broadcasting – gave birth to the Airlift Productions Studios.That very year Ronald Reagan sat in the Oval Office, the compact disc was brand new, and top-rated CBS affiliates WWL-TV & WWL radio here in New Orleans were owned by Loyola University (“World Wide Loyola”) and… the gang down at the Catholic Church.
From the changing complexion of the White House to digital music distribution (and piracy), TV/radio deregulation and consolidation; and from Loyola’s WWL ownership change to Gannet/Tegna, and Entercom to Audacy – my oh my, how the media and technological winds have blown!
Meanwhile, through all the changes and through all the years, Airlift Productions and I have resided calmly and ever-persistent in the Hurricane’s Eye, while at the same time, tacking into the winds of change.
A recent Search Engine request for just two words “Airlift Productions” yielded the most remarkable result – in the Images section was an internet-search-generated collage of a Life lived in the Hurricane’s Eye…
There was every studio I’d ever built – from the closet at Rock Creek Apartments to Iberville to Pomona. There was Norman Robinson, Rich Lenz, Heath Allen, Deuce McAllister, Congressman Steve Scalise, Amy Landon, Dr. Morgus/Sid Noel, Rachel Wulff, Tim Weston, Jamie Neumann, Sean O’Shea, Sister Thecla, even studio mascot The Shadeaux, the studio’s stained glass window and game room!
From radio commercials, TV voice-overs, podcasts & audio books, to educational software, industrial training & safety videos, and from cathode ray tubes to flat screens and broadcast to podcast – the Airlift Studios & I have shifted and tacked into the winds of change – while remaining calm & steady in the Hurricane’s Eye.
“Nothing in the world can take the place of Persistence. Talent will not; nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence & Determination alone are omnipotent.” ~ Coolidge/Ziants
*** Micheal Ziants AUDIO BOOK Demo ***
Airlift Productions proprietor Micheal Ziants putting in another day at the office ~ along with late studio mascot ‘The Shadeaux’
And the winds continue to blow! My grandfather John was born before the radio, my father Charlie was born before the television, and I was born before the internet & digital.
What’s next? AI, VR, the Metaverse?
Well, whatever it is, you can rest assured that Airlift Productions and I will be there, sitting calmly determined & ever persistent – in the Hurricane’s Eye.
Airlift’s Micheal Ziants (Right) with actor Joe Rainer On-Camera with TLW Productions for Seacor Marine … deep in the Gulf of Mexico
“We’ve worked with Mike for almost 15 years, both as voice over and on-camera talent in more than 50 films. Not only is he a great guy and a super talent, but he has the coolest recording studio in the South.” ~ TIM WESTON, President TLW Productions, NOLA
Around the Airlift Productions Studios, I still get into this one with my video production pals – when it comes down to audio versus video, which of the two is more powerful and packs the bigger punch?!?
I mean, what is all televison except radio… with pictures? Which came first? And where are the more powerful emotional cues?
You know, the ones that capture attention, motivate, inspire, scare … and drive someone to action?
Pause to consider, the very first sense that develops as the human develops within the mother’s womb is …. wait for it – the sense of HEARING! The growing infant HEARS the mother’s heartbeat and the rush of amniotic fluid, almost like ocean waves, surrounding it’s ears.
The eyes are nowhere in the picture yet.
Now, picture yourself in a movie theater. You are terrified by the motion picture – from b/w ‘Psycho’ in the ’60s to the latest flick about some camp counselor gone crazy chasing teens through the woods with an ax – and you can very simply close your eyes.
But you cannot close your ears!
The shrieks of terror, the ragged breathing, the sound effects, the dramatic music pulsing and pounding. Even when all sounds disappear and come to a complete … heart-pounding … stop!
Interestingly, the Creator gave us eyelids… but He didn’t give us EAR-lids!
Now, talk to a hospice caregiver, and they’ll quickly tell you from experience that in the majority of cases the final sense to leave us at death – is the sense of hearing.
More to the point, in the case of television advertising, when an ad comes on, many are off to the bathroom or into the kitchen. In this case, all the expensive video editing software and fancy visual zips and zaps are superfluous! They are not even there in the experience of the intended viewer.
And since time immemorial, the story-telling tradition, as one generation passed legend and myth and bedtime stories down to the next, the entire presentation was aural – powerful, memorable and impact-full.
Sorry, video aces, but audio trumps video. It will always be AUDIO that drives the emotional train.
Airlift Productions, driving that emotional train from NEW Orleans …. since 1984.
“Airlift is THE place to go for a top quality demo. With Mike behind the board you are in very capable hands. His vast knowledge and command of all things audio blends with his laid-back fun environment to bring out the best in any voice. Airlift Productions has the experience and all the tools necessary to make a voice-over reel that is on par with anything you would find in New York or LA!”
Many thoughts are rambling around my head on this Mother’s Day weekend, so I came here to unpack a few of them. Allow me to wish you & yours a Happy One as I attempt to sort some things out.
It’s been said that, “The hand that rocks the cradle rules the world”. Indeed, mothers, and the way in which they raise their children, most definitely mold and form society and the world in which we live.
Rightly or wrongly (and yes, there are bad mothers), through motherhood, women leave their indelible mark on the planet. Some seek to leave their footprints in the sands of time…while others leave but skid marks at the intersection.
Did you know that America’s first people, the Tribes – from the Sioux to the Cherokee – had quite a different view when talk of the planet and mothers was involved?
To them, four simple words summed-up all of existence – “Mother Earth, Father Sky”.
ALL food, all sustenance – indeed all life – grew from the Earth! Berries, fruit, maize, corn, wheat ALL came from the dirt beneath their feet. Mother Earth.
And all this nourishment, the very essence of life, would not be possible without the rains and the sun to make it grow. Father Sky.
Pretty simple, huh? And pretty true, too.
Well, if you’ve run with me this far on this Mother’s Day, let’s run just a bit further. I’m haunted as of late by a line from Paul Simon’s tune “Questions For the Angels”, wherein he poses this question…
“If every human on the planet and all the buildings on it should disappear… would a zebra grazing on the African savanna care enough to shed one zebra tear?”
Wow! Ponder that one a moment. Let that one sink-in a bit.
And I realize that it’s more than a tad on the dark side (for Mother’s Day weekend), but couple that thought with this troubling nightmare that persists… in my New Orleans nights.
The whole planet Earth – all now-Eight-billion-and-counting – all humanity…the very planet we call home – gone! Disappeared. And the epitaph on the tombstone says rather succinctly, “Well, it seemed like a good idea at the time.” ~ signed, the Father.
No. Despite all human ‘advancements’ and technology and progress and religion and culture…in the eyes of the Creator Spirit that is ALL { the One the Tribes called ‘Wakan Tanka’} — we just didn’t cut it.
And the kicker? In the Big Picture? In the eyes of the vast universe… the disappearance of this one little planet in the backwaters of the Milky Way, here in what we call the 21st Century…didn’t even make the front page in the Sunday Universal Times.
Yet, from the palaces of Kim Jong Un to Vlad Putin, the games persist. And from the streets of Anytown USA to today’s nearby college campuses… peace, love & respect for human dignity increasingly get lost in our crazed, frantic and hyper-connected digital world.
And the beat goes on. Until it doesn’t.
I only wish that I had a rosier picture to paint this morning, but we’ll save that ‘rose’ for the Mother’s Day bouquet sitting on kitchen tables all over the world at this moment.
*** Airlift Mike’s “This Is For the Mothers” ***
And along with it, a Hope and a Prayer…for your Mother Earth and mine.
IncreaseThePeace…with Love & Respect from the New Jer-USA-lem ~ Micheal Z
