The little, bespectacled goober front row left is 13 year old Micheal Ziants of Airlift Productions – part of the “Young Tom Edison” cast, Youngstown, Ohio Civic Children’s Theater, 1964
It has been said that the best VoiceOverTalents come from the STAGE not the RADIO because the theater and acting is at the heart of the craft – not broadcasting.
But what if a talent could combine both?
Yes, this blog could perhaps be seen as self-serving, tooting one’s own horn and sort of like ‘breaking the 4th wall’ in a Woody Allen movie where he addresses the camera directly, but here goes:
While I began my broadcasting career in the 1970s and worked on-air in some of America’s greatest cities as well as for some of the USA’s hallmark companies – The Pulitzers in St. Louis & Billboard Magazine in Nashville – for me it all began on the stage!
Airlift Mike with the Tribe of Ziants, front porch, Youngstown, Ohio, circa 1962
The acting bug bit me early and hard! In the 1960s it was the Civic Children’s Theater in Youngstown, Ohio that was my launch pad. Saturdays could find me onstage re-creating the stories of Peter Pan, Tom Edison or Robin Hood for hundreds of school age kids at a time.
I then went on through high school to become the President of the Thespian Club and had the leads in the Junior and Senior Class plays as well.
Using the human voice to arrest someone’s attention, intrigue them, and then motivate them to relate to a cause or sympathize with an issue seemed damned near magical. I was hooked.
Later on, as a broadcaster and then as a voice over talent, I learned to call on these same skills, intuitive yet honed on a stage, and bring them all to the microphone!
Shocking, Raw, Visceral – Adults Only ** Micheal reads from Pelican Publishing’s True Crime Drama “Murder in Coweta County”
So, again, what if the voice over artist – the person delivering the message at the microphone – could combine innate, yet trained, acting chops plus vast commercial broadcast experience plus decades of technical, hands-on production experience?
OK, here comes the horn tooting part: that would be – ME!
Do you want to book a voice talent with experience? With theater in his blood? With years of broadcasting & audio production thrown in ala carte?
Broadcast Veteran – and Actor – Micheal Ziants, plying his trade at the Airlift Studios
“I listened to a lot of voices to represent Detective Lt. Robert (Robbo) Davidson for our audiobook version of “The Evil I Have Seen” and none quite fit. At last, I did a search for a commanding, seasoned, slightly Southern voice — and pulled up Airlift Productions of NOLA. I clicked on Micheal’s sample narrations of “Murder in Coweta County” then James Patterson’s “The Chef,” and I was hooked. No one else would do.
I was surprisingly delighted after speaking with Micheal to learn, he would not agree to narrate and produce the audiobook until he read it. He wasn’t in it just for money — he would only partner on material he believed to be worthwhile. It has been a delightful, rewarding experience and Robbo and I could not be more proud of the way he brought this book to life.” — Author PJ Jones
As New Orleans readies for yet another Jazz Festival and prepares to welcome visitors from all over the planet, I was reminded of the incredible reach of the internet & the web just this week as Airlift Productions & I received two emails – one from Israel & one from China.
A film-scoring musician checked-in from Israel looking to ‘score’ U.S.-based work, and a pen pal (20th century slang) wrote me from China. I guess you’ve heard of renowned cellist Yo-Yo Ma, well meet my VoiceOver pen pal, formerly of Beijing – Yuyu He (or David) —
—————————————————-
“Yo Mike,
I am not in Beijing anymore, for it’s a very busy city with very high life cost. I am back in my hometown Yueyang, a southern city, it is like Seattle in US, rainy in most time of a year. I need time to fix myself in.
Fortunately, the food is great, girls are hot, cars are less, life is quiet, I start to enjoy my life at my age of 30. As for my voice work, I work harder, making demos, visit clients, though it’s a bit quiet market. USA is definitely my most want-to-go place, in the world, now I have a new destination by Missisipi river. I could see you are proud to be a people of New Orleans, that is great.
All the best
Yuyu (David)”
—————————————————————-
Yes indeed, the world of VoiceOver is quite the fraternity. Nice to hear that some things truly are universal – VoiceOver work can be hard … and girls are still hot!
And it certainly is reassuring that given the unrest, strife & turf wars that still exist around much of the planet, that the passion for a craft like VoiceOver and the love of communication can still unite us like a band of brothers.
Rhiannon Boulger & Airlift Mike at the Airlift Studios NOLA
“Thank you Michael for being so accommodating, and making my job truly enjoyable. I’ve recorded in many professional studios all around Australia throughout the years, but I felt right at home and was really impressed with the huge Airlift Productions recording space & booth you built. Recording with you was as easy as if I were in my own studio back in Australia – and that really makes for a successful session. All your wonderful compliments didn’t hurt the vibe either! My ego appreciates your generous, kind words. Thanks again for being such a gentleman.”
The short answer? All three! The long answer? How much time do you have? Too many questions? Oops, another question…
To begin with, all sound travels in waves. That’s analog. As I speak, my voice travels from my larynx to your ear as a wave form. Now, in capturing said wave form in a recording device or computer for editing and storage, it is still considered and called a wave form, but then it’s digital. Science.
But making MAGIC with that wave form is quite another thing altogether. Art.
Airlift Productions “Booth” ~ where talent shines!
Now, creating an environment, a creative space, a ‘vibe’, a place to make that audio magic – that audio alchemy – possible is yet another story completely.
Original Airlift Productions Studio Design ~ Micheal Ziants, 2001
Pause to consider, the entire Airlift Productions air space is completely out-of-square with no parallel walls, and the studio ceiling rises from front to back.
Custom-designed, the entire room is built like the ancient Greeks imagined the amphitheater – sound waves naturally propagate from the near-field reference monitors in the front across the room to the back wall.
The Airlift Studios control room widens from 6 feet square at the front … to nearly 12 feet at the back. Dramatic, sure, but functional, as well. A critical listening space should never be constructed with parallel walls, ceiling & floor, as this creates standing waves, slap-back echoes and assorted audio headaches.
Airlift Productions “Gift of Life” Stained Glass Window
Room treatment, acoustic foam, carpeting on the walls, natural daylight filtered through stained glass, and dimmer-controlled mood lighting further enhance artist & engineer comfort & creativity through the entire recording process.
Yes, Art & Science get it on at Airlift Productions! To create MAGIC.
Purpose-designed for comfort, creativity & breath-taking sound, Airlift has delivered the goods since 1984 from New Orleans to the planet with style!
From big screen to small; basic TV/Film voice over tracks & intimate audio book sessions to fully-produced broadcast-quality podcasts, test-drive your first session today from wherever you are on the web at Airlift Productions.
“Weapons of Mass Production” ~ Airlift Productions, New Orleans
Airlift Mike, always as close as the mouse on your desktop or the cell in your pocket at #504.833.8450.
When quality counts ~ count on Airlift Productions. Audio Alchemy & Digital Magic from New Orleans since 1984.
Micheal Ziants & Sean O’Shea, navigating the twists & turns of AudioBook production
“Airlift Mike was a saint, and ridiculously patient and supportive (and helpful!!) for this audio book virgin. In another environment, without the support, and with pressureto perform “right”, I probably would have completely fallen apart. So the MVP for this getting done goes 100% to Mike and the chilled out environment he’s cultivated…personally and within his studio… A big heartfelt thanks to Mike and the years of expertise he brought to this project to ensure I sounded my very best. If you’re ever in Nola and need the best audio dude, and the best dude dude, holler at my man Mike withwww.airliftproductions.com”
—- Los Angeles & NOLA-based Dog Trainer SEAN O’SHEA
Boy, just when you thought you had all the answers … they changed all the questions!
Watching classic ‘Mad Men’ episodes the other night, it hit me again as to how completely flipped and upside/down marketing & advertising has become from the 20th to the 21st century.
We’ve transitioned rather dramatically from ‘interruption’ marketing to ‘permission’ marketing.
Think about it, from the local disc jockey hitting a commercial and joking about the station ‘paying the light bill’ to the network newscaster ‘interrupting’ the news stories to have :30 spots sell you stuff … ‘interruption marketing/advertising’ was, last century, THE way to get your message across.
Today in 2022 even the 7 year old child skillfully navigates the remote control fast-forwarding the DVR box through the commercials … and then turns around and price-comparison-shops from a smart phone in the aisles at Target or Best Buy!
‘Permission marketing’ in the 21st century ‘allows’ the buyer into YOUR world when he is ready to buy. It gives the buyer all the pertinent information needed UPON REQUEST via the device they have on-hand – in many cases IN their hand – to make the buying decision.
So, telling your compelling story online, making yourself available 24-7-365, and letting the potential buyer know about your satisfied customers while online has indeed become the 21st century marketing challenge.
And no matter the century, it’s just plain human nature that people/buyers will put more trust and faith in what other people have to say about you … than anything you have to say about yourself.
The power of a well worded, sincere testimonial – let alone from someone already known and trusted – speaks volumes about one’s service rendered or product offered.
An Airlift Productions’ VO session in progress, with legendary Lillian Axe front-man Steve Blaze at the hot mic
In a virtual world where, in many cases, the entire transaction is done without human interaction, smiles, winks or handshakes, and across miles and state lines – the testimonial creates trust!
And this is precisely why I’ve just recently dedicated many hours to revamping the Airlift Productions website’s Testimonial Page.
From local New Orleans television personalities to New York AudioBook producers, from iconic horror movie host Morgus the Magnificent to the Discovery Studios in Hollywood … from the mouth of James Carville at the Airlift mics (astonishingly, in sync with Congressman Steve Scalise’s opinion) to former Sirius/XM satellite talk show host Mike Church‘s opinion – all in their own words!
From VoiceOver jobs, music recording sessions & audio books… to telephone systems & educational software – Airlift Productions & I have delivered. Time and time again. From the last century to this one.
So go ahead, tap the 21st-century-brakes for just a second, hit the pause button on the DVR box, and visit the Airlift Productions~Ziants Testimonials page here – when YOU are ready, 24-7-365 – and we’ll be there for you!
Rhiannon Boulger & Airlift Mike at the Airlift Studios NOLA 1-6-17
“Thank you Michael for being so accommodating, and making my job truly enjoyable. I’ve recorded in many professional studios all around Australia throughout the years, but I felt right at home and was really impressed with the hugeAirlift Productions recording space & booth you built. Recording with you was as easy as if I were in my own studio back in Australia – and that really makes for a successful session. All your wonderful compliments didn’t hurt the vibe either! My ego appreciates your generous, kind words. Thanks again for being such a gentleman.”
Airlift Productions Proprietor Micheal Ziants as a ‘babe in the woods’ New Castle, PA. What, no headphones?
From New Castle (PA) to New Orleans (LA) … to quote the California sage Jerry Garcia, “What a long strange trip it’s been!”
Born in New Castle (just north of Pittsburgh) to Charlie & Phyllis, the middle child of five kids, by the time I was five, we’d already relocated all the way to Florida – where we moved two additional times in three years … before moving back north to Youngstown, Ohio.
So, let me see, I’m all of nine years old and I’ve already had five different mailing addresses in three different states in the union. No, pop wasn’t running from the law, just an upwardly mobile and in-demand chemical/mechanical engineer.
My first jobs were newspaper boy, altar boy, and grocery bagging and delivery boy. Boy, that’s a lot of ‘boys’. And great training at a young age in dependability and responsibility for manhood, I might add.
Even as a young dude (boy) through all these very same years, the roots of the recording studio and voiceover career were planted. I took up acting in civic children’s theater, studied ventriloquism (even built my own dummy), taught myself to play the guitar (had my own band in high school) … and fell in love with radio & communications.
Micheal Ziants High School Grad Pic 1970 Northwestern High, Beaver Falls, PA
Upon graduating high school, with dreams of heading to the military academy at West Point, I spent a year working hard as a land surveyor during the day and attending Penn State by night. When the academy dreams fell apart, I’ve got to admit – it was radio, communications and broadcasting that captured my heart.
Big time!
So, after carrying a 4.0 in English, Speech, Philosophy and (oh, my) Calculus at Penn State, I decided to drop out, follow my heart and launch a career in radio. Now the fun begins.
When I arrived in New Orleans at Q-93, the station was then owned by Insilco, a Fortune 500 outfit with silver mines all over planet earth!
But I just grew tired and weary of the fragile existence that radio offered and/or threatened, along with the toll on my private and personal life.
Ya’ want to know something? Women will only take to that packing and unpacking, up-and-down-the-radio-dial life for just so long … before they say ‘so long’.
Necessity being the mother of invention, I began the Airlift Productions thing – recording and producing ‘voice-overs for export’ – long before it became fashionable. I built my first recording studio in 1984, ‘burned the ships’ (as the expression goes) and never looked back.
The Original Airlift Productions – before digital, the internet & mp3s – in the closet of my one-bedroom apartment – 1985
Airlift Productions was my opportunity to combine all my loves – acting, music, communications, production and radio – into my own business. Oh sure, I could still run the bus off the road, but at least from now onward … I was the one at the wheel.
1984 was the age of reel-to-reel magnetic recording tape, grease pencils and splicing blocks, cassettes and Fed Ex next-day deliveries. The internet and world wide web, mp3 email attachments, and digital non-destructive edits weren’t even dreams yet in a tech head’s head!
Fast-forward now to 2021… and the kid has stayed in the picture. I still love to paint those mental pictures, color the air with bright pastels and deep earth-toned hues … motivate with sound!
Micheal Ziants and the new “Annie” Quvenzhane Wallis, recording for Chrysler and sharing a few laughs at Airlift Productions
And what a thrill and honor to do it all from the world’s most unique city and America’s most fascinating destination. If you’ve been to New Orleans you know whereof I speak … and if you haven’t, well, you’ll just have to take my word for it.
“I listened to a lot of voices to represent Detective Lt. Robert (Robbo) Davidson for our audiobook version of “The Evil I Have Seen” and none quite fit. At last, I did a search for a commanding, seasoned, slightly Southern voice — and pulled up Airlift Productions of NOLA. I clicked on Micheal’s sample narrations of “Murder in Coweta County” then James Patterson’s “The Chef,” and I was hooked. No one else would do.
I was surprisingly delighted after speaking with Micheal to learn, he would not agree to narrate and produce the audiobook until he read it. He wasn’t in it just for money — he would only partner on material he believed to be worthwhile.
It has been a delightful, rewarding experience and Robbo and I could not be more proud of the way he brought this book to life. He is the voice, the director and producer of the audio version of “The Evil I Have Seen.” I recommend him wholeheartedly! — P.J. JONES, AUTHOR of the out-now shocker, “The Evil I Have Seen”
Original Airlift Productions LOGO – 1984 by Harrel Grey
It’s kind of strange the way inspiration works. I was sitting at a bar that no longer exists in a hotel that no longer exists while dreaming of a business that didn’t yet exist … and it struck!
In my second year on Q-93 radio ( WQUE-FM, New Orleans ) as afternoon air personality Mike McCann, I was frustrated and, to be honest, somewhat frightened and more than a bit concerned.
After all, I would not have been at Q-93 had a format change not led to my being terminated/fired from my on-air job in Philadelphia! And wouldn’t have been in Philly had they not let the entire air staff go in Nashville! A similar story – station sale & format change – led to my exit from St. Louis.
Short story longer, I used to wake up in a cold sweat on the waterbed (hey, it was the 1980s) in the middle of the night wondering where I’d be when I reached age 40, to say nothing of 50 or 60 if I stayed on my current path.
So, my Q-93 partner in crimeRon Chatman and I were sitting around the bar at Bert’s, a bar on the first floor of a now-imploded and long-gone hotel on Canal Street having a few, comparing battle scars and musing about our collective futures.
Bing-Search-Generated Image page for Airlift Productions
I grabbed a bar napkin and started doodling, sketching, dreaming … and came up with the first crude version of the Airlift Productions logo.
Airlift – as in ‘to the rescue’, with all it’s heroic connotations. If all radio & TV commercials are indeed sent over the air, “let me give your Air a Lift!” Alphabetical listings being what they are, I’d also be listed first in all the recording studio listings.
** Airlift Mike narrates James Patterson’s best-seller “The Chef”, now available on worldwide AudioBook platforms **
Plus, I somehow knew all those years ago that the studio would be involved in projects bigger and loftier than just commercials, so it just had to be Airlift ‘Productions’. I knew that I was on to something.
The year was 1984.
After hiring local artist, the late Harrel Grey to fine-tune my crude bar napkin logo rendering, I trademarked it with Baton Rouge officials, got my first bonafide freelance account – WGNO-TV/Tribune Broadcasting – and was off to the races.
Airlift Productions Logo Reboot ~ re-imagined by Digital Artist Ethan Anderson ~ 2012
Today, in 2021, if one were to do an internet search with just those two words ‘airlift productions‘ in a search engine – with no qualifiers, no country or state, nothing else – out of over several million possibilities worldwide and worldwide-web-wise – there I am.
Hard to believe that as I write these words it’s well over thirty years later, but that’s what the calendar tells me.
Meanwhile, the technology, the recording gear & the delivery methods somehow grew into my dream & vision.
And the jobs? Well, Airlift Productions has today recorded and delivered audio all around the world – literally!
Mandarin Chinese-translated video for the Port of New Orleans, Shell Oil Industrial Narrations for Melbourne, Australia… Arabicaudio for MBC (Middle East Broadcasting) in Dubai…AudioBooks for every major player on Manhattan Island in NYC…
And while most my age have thrown in the towel, walked away or passed away, here in 2021, I find myself mapping-out my next 20 years in business.
So, what’s in a logo? In a word – Everything!
And I do mean every little … and BIG … thing.
Airlift Productions Recording Studio, New Orleans, 2021 Panoramic Studio Pic. Check it out … “Weapons of Mass Production”
Steve Scalise & Airlift Mike during a break from “Back In The Game”, Airlift Productions NOLA, October 2018
“Mike, I can’t thank you enough for the great job you did coaching me through the audio recording of my new book, ‘Back in the Game!’ Since this was the first book I’ve ever written (and recorded), it was all new territory for me. You made the entire process go very smoothly, and I am incredibly happy with the final product.
I appreciate all you did to bring this book to life. You know you are really good when both James Carville and I are in complete agreement that you are great to work with!!” – CONGRESSMAN STEVE SCALISE
Veteran New Orleans Voice Talent Micheal Ziants with trusty sidekick & mascot The Shadeaux
Although I live in Louisiana, the Sportsman’s Paradise, I do not hunt and shoot animals, I do not own a gun … shucks, I don’t even play golf!
THIS is what I do.
Giving LIFE to the printed word, making simple text & fonts on an iPad or piece of paper BREATHE and create emotion in the mind of the listener is what I do.
And then, I further animate those living, breathing words with soundscapes – musical backdrops and sound effects which enhance and complement the human voice.
You know, the stuff that comes out of your radio speaker, or the flat screen TV in the background at the bar, or deep in your inner ear canal from earbuds, stuff like this….
And with roots in the great state of Pennsylvania, now firmly re-planted for over thirty years in the bayou state of Louisiana, it’s kind of strange to say but, here in 2020, I feel a stranger to both.
I don’t talk like your average N’awlins folks (“Wherey’at, dawlin’?”), I have a growing disdain for the yearly bacchanal called the “Mardi Gras”, and yet I have no desire to return to the ice-packed, snow-covered northeast.
New Orleans Voice Talent & All-around Audio Dude Micheal Ziants, Airlift Mike
A man without a country.
But I do have one thing most don’t – a vocation that is also my vacation. And there’s solace in that.
On top of that, it’s a vocation that due to technological and digital advances affords me the opportunity to be heard by – and work for – anyone, anytime, and anywhere on planet Earth!
While the VoiceOver arena is today an incredibly competitive and increasingly overcrowded field, it’s an honor to throw my headphones into the ring every day from America’s most fascinating city, New Orleans, warm-up the Airlift Productionsmicrophones, and create compellingly convincing audio for clients near and far.
And the challenges and obstacles are far more daunting than shooting deer, flushing-out ducks, or spending weekends chasing a little white ball around a golf course.
** Airlift Miketaking a “shot” at Movie Trailer V-O – “Gladiator” **
Outcast? Rebel? Well, sort of, I guess.
But in the meantime, life in Louisiana certainly has its upside, too – cargo shorts & flip-flops year-round, I haven’t bought snow tires in years, and I sure have become a Saints fan. Who Dat?!?
“Micheal Ziants is a great voice talent who is generous with his time and energy. I have worked in TV for years, but needed the guidance of a professional to create my radio reel and found it with Ziants. He made me feel comfortable in studio and encouraged creativity, coaching me to a reel I hope will bring many job opportunities. “ – RACHEL WULFF, former WWL/WDSU-TV Anchor & Reporter
A well-crafted VoiceOver Demo should do for one’s voice what a model’s portfolio does for one’s body.
Show it off! Showcase it! Highlight it!
Just as a photographer uses lighting, sets, makeup, and wardrobe to capture its subject, the voice demo audio produceruses compression, reverberation, equalization, the just-right music, sound effects and editing to properly capture/record his subject.
From compassion and pathos … to angst-filled attitude. Sly and seductive … to bold & brassy! Demure … to confident.
A captivating VoiceOver Demo captures every trick the actor has in his/her bag, and is edited in such a way as to showcase versatility and cast-ability.
Case in point?
Mary Rose Neumeyer having way-y too much fun at the Airlift microphones
Having trained for years under the tutelage of noted NOLA acting coach Debby Gaudet, Mary Rose indeed brought some formidable skills to the Airlift microphones.
Part commercial, part promo, and all class, Mary Rose’s V-O Demo captures a style and sensibility that belies her then but 14 years on the planet.
Yet, boy, can she still be a kid! And deliver FOR the kids.
Give a listen to this teen sensation’s skill set, here …
And if your project, TV campaign, radio spot, or promo could use a fresh from-the-mouth-of-babes, stand-out-from-the-crowd approach – Mary Rose & I are as close as the cellphone in your pocket.
“Many filmmakers portray teenagers as immoral and ignorant, with pursuits that are pretty base… But I haven’t found that to be the case. I listen to kids. I respect them… Some of them are as bright as any of the adults I’ve met.” ~ the late film director John Hughes
“Micheal Ziants is a great voice talent who is generous with his time and energy. I have worked in TV for years, but needed the guidance of a professional to create my radio reel and found it with Ziants. He made me feel comfortable in studio and encouraged creativity, coaching me to a reel I hope will bring many job opportunities. “ ~ California-bound, Former WWL/WDSU Anchor/Reporter, Mom, Realtor – RACHEL WULFF
Ibrahim Alshamrani’s “60-Minutes-Style” Twitter Account Screenshot
Especially given the current political-religious intolerant issues of the planet Earth today, I didn’t quite know what to expect when the phone rang that Saturday night in March 2018 at the Airlift Studios .
It was a video producer pal of mine, founder of NolaVid, Max Cusimano, wondering if I could make time for a special Saturday night audio session for Ibrahim and Ali.
Middle East Broadcasting – MBC, Dubai – “Nerve Center”
As it turns out, Ibrahim Alshamrani heads-up the investigative reporting for MBC (Middle East Broadcasting) in Dubai, United Arab Emirates, and was in New Orleans that weekend tracking-down leads on a now-three-year-old cold case.
Ali comes from a large Muslim family and had a brother who ‘went missing’ from the streets of New Orleans three years back and, together with Ibrahim, was looking for more than clues.
So, after shooting all of his on-site noisy & loud French Quarter/New Orleans video with Max, Ibrahim was in need of a professional, relaxed and QUIET studio to record all the VoiceOver to tie everything together.
World traveled, intensely focused, highly intelligent, passionate and compassionate, Ibrahim went right towork.
After downloading his script to the iPad, he hit the booth. And while I do not understand a bit of the Arabic tongue – I could sure feel the professionalism, the dedication, and the passion…
Here’s a boy from Pennsylvania (yours truly), transplanted to New Orleans, recording a hot-shot investigative reporter from Dubai in the United Arab Emirates – for VoiceOver targeted to over 150 million Arabs in the middle east!
Proving, without a doubt, the engaging, enriching, stereotype-defying, and awesome reach of not only technology – but the Brotherhood of VoiceOver.
Rhiannon Boulger & Airlift Mike at the Airlift Studios NOLA 1-6-17
“Thank you Michael for being so accommodating, and making my job truly enjoyable. I’ve recorded in many professional studios all around Australia throughout the years, but I felt right at home and was really impressed with the huge Airlift Productions recording space & booth you built. Recording with you was as easy as if I were in my own studio back in Australia – andthat really makes for a successful session. All your wonderful compliments didn’t hurt the vibe either! My ego appreciates your generous, kind words. Thanks again for being such a gentleman.” ~ Rhiannon Boulger, Aussie VoiceOver Talent/Shell Oil Spokesperson
Well, it’s that time of year again, when a morning dog walk through the ‘hood yields visions of ghosts, witches & goblins, all sharing front yard space with – the blessed Virgin Mary!
Only in New Orleans.
OK, possibly in other parts of America, but never more pronounced than here in a 300-year-old city predominately old Spanish, old French – and very Catholic.
So, in the spirit of Halloween, yours truly decided this past week to do a little bit of audio trick or treating of my own.
After spending quite a bit of time re-designing my Airlift Productions website, I went to work, trick or treating…
In an attempt to find some new folks to work with, some new “playmates in the sandbox”, the Shadeaux and I went to the internet, since no one really picks up a work phone anymore, and receptionists actually answering a phone is so last century.
Airlift Mike & The Shadeaux at Airlift Productions, where Every day is ‘Take your doggie to work’ day
After doing a google search on the top advertising agencies in New Orleans, visiting each of their respective websites (amazingly, some had none), I wrote each one a rather succinct email, or simply filled-out their ‘contact page’ form.
I merely told each agency that I had been a voice talent, writer, studio owner, and audio production dude here in NOLA for the past 30 years and wanted to connect with them to discuss possible future work together.
These words were followed by an invitation for each of them to visit my website for corroborating material – audio, video, studio pics, and testimonials.
In closing, I simply asked, “May we talk?” And closed with a signature, phone number, and the line “much respect”.
So, what happened?
After a substantial, decades-long contribution to the media DNA of New Orleans – years of audio production and voice work, shouldering the outdoor campaigns of WGNO and WNOL, WDSU and WVUE all old-school (reel-to-reel tape dubs in cardboard boxes), 17 years with the Lamarque Motor Company, ten years pro bono with the United Way, twelve years producing all the radio campaigns for The Esplanade Mall ….
Nothing.
Crickets…. Not a single reply.
Trick or Treat!?!
“Not a creature was stirring, not even a mouse” … er, ah, a millennial. Wait a tick, I’m in the wrong holiday!
Either way, sorry, gang, but the way my mother raised me, I see this back-handed treatment as just downright rude.
Whether I’m considered (along with my formidable studio) irrelevant, old-school & ‘dated’ – or a threat, in the business world, of which advertising agencies sure are a part, the courtesy of a reply is appropriate.
How about one more thought.
The prophet will always be without honor in his own land.
