John Lennon at the piano creating a vision with “Imagine”
Imagine there’s no heaven
It’s easy if you try
No hell below us Above us only sky Imagine all the people living for today
Imagine there’s no countries It isn’t hard to do Nothing to kill or die for And no religion too Imagine all the people living life in peace
You may say I’m a dreamer, but I’m not the only one I hope some day you’ll join us And the world will be as one
Imagine no possessions I wonder if you can No need for greed or hunger A brotherhood of man Imagine all the people sharing all the world
You may say I’m a dreamer, but I’m not the only one I hope some day you’ll join us And the world will live as one
~ John Lennon, “Imagine”
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As my fave old metaphysical space cowboy running partner Henry David (Thoreau) used to say, “Do not worry if you have built your castles in the air. They are where they should be. Now… put the foundations under them”. And …
“What lies behind us and what lies ahead of us … are tiny matters compared to what lives within us.”
Airlift Productions’ Micheal Ziants – at age 20 – on the first real radio job, Youngstown-Niles, Ohio, 1972.
Airlift Mike – channeling and realizing the dreams of John Lennon & Henry David Thoreau… since 1972.
Norman Robinson & Airlift Mike, tracking VoiceOver session, October 2019 at Airlift Productions New Orleans
“Michael is without a doubt one of the most versatile audio and production experts in the industry. ” — NORMAN ROBINSON, Harvard Nieman fellow; Honorary Doctorate of Human Letters-Our Lady of Holy Cross College; former CBS-TV White House correspondent; senior news anchor WDSU-TV, NOLA
In early 1980, Nashville was a very different place. Today’s Country SuperStars were on the playgrounds, if they were even born yet… Conway Twitty was very much alive, George Jones was still rattin’ the Printers Alley bars… and yours truly was ridin’ herd on the afternoon radio rodeo – as John Saint John!
Think about it: Forty-two years ago, Jimmy Carter sat in the Oval Office, John Travolta’s ‘Urban Cowboy’ was huge at the box office, and my “office” was the afternoon drive “air chair” at WLAC, Nashville.
The internet, world wide web, digital audio and mp3 downloads weren’t even dreams yet in a tech head’s head. Radio – and AM at that – was king!
~ 15-WLAC Logo, during it’s final hurrah as a music station, before yielding to changing times and becoming All News & Talk in late 1980 ~
Picked up ‘on waivers’ from KSD radio in Saint Louis, I was freshly hired by Billboard Magazine to do the afternoon drive shift from their swanky showroom studios at 14 Music Circle East every afternoon on the legendary 50,000 watt blowtorch – WLAC Radio.
Together with RJ Harris, Spider Harrison, Dennis John Cahill, Smokey Rivers, ‘Captain Sunshine’, Randy Davis and Jeff Warren, we held court as the last bastions of music on WLAC.
What an exciting and truly awesome gig this was. To work for Billboard Magazine in Music City, USA and broadcast every afternoon to the entire mid-south. No tape delay, no second takes…it was all LIVE – from my mouth into tens of thousands of ears in a split second!
~ Airlift Productions’ Micheal Ziants as alter-ego John Saint John, in the WLAC, Nashville Studios in 1980 ~
As most know, but few give thought to, Nashville is not only Music City USA, it is also the capital city of the great state of Tennessee, so much of the talk was centered around politics. In early 1980, that talk revolved around Carter, Reagan & Bush.
And do you remember the music of the 1980s? No, we weren’t playing country. It was more like Donna Summer, Boz Scaggs, Doobie Brothers, Michael Jackson, Eagles, Christopher Cross, Kim Carnes and the Electric Light Orchestra!
That John Saint John guy served them up like this —-
~ WLAC Radio & John Saint John, Wednesday July 30th, 1980 – broadcasting from Nashville’s Music Row ~
And the doors that were opened to me as afternoon air personality for WLAC ; to talk with – and get to know – the Legends of Nashville music: Brenda Lee, Charlie Daniels, George Jones, Dottie West, I even co-emceed an auto show benefit for Nashville’s Humane Society with Conway Twitty!
During my brief tour of duty at WLAC, I interviewed and sat down with Eddie Money, Ted Nugent, Terry Bradshaw, Eagles’ lead guitar Don Felder, the comic Gallagher … and Lawrence Welk ran his music publishing company in the offices upstairs – in fact, when he was in town, he’d occasionally knock on the studio window, make faces, and wave at me!
But you can never separate the words Radio & Business. And in the early 1980s, the handwriting was on the wall – FM penetration, together with it’s stereo & higher fidelity proved the death knell for music-formatted AM radio. And with it went my job.
In the Fall of 1980, in fact it was Halloween weekend that year, thirteen months after I was hired, WLAC fired/terminated it’s entire air staff- “Trick or Treat”!! In favor of new owners… and a new all News/Talk format which forty-two years later it still is today.
As I look back now, across all these years, I have to admit that it was in the subsequent days of unemployment in Nashville that the seeds of one day being my own boss, having my own business – a recording studio – were first planted.
But there were still fields yet to plow, and Airlift Productions and New Orleans were not even on my radar yet. But we’ll save Philadelphia, WIFI-FM and that wacky city of Brotherly Love for another day.
That’s a story for another blog and another time.
In the meantime, the creative juices still bubble over daily at the Airlift Productions Studios on Pomona in New Orleans. Stop by for a cold one when you can. We’ll leave the mics hot for you!
“I met Mike in the mid 80’s when I was first starting out in the business … a consummate professional and just a really nice guy. He has seen me through the highs and lows of this business during my 33 year career. I walked away in 2014. He has produced countless air checks for me when I was fired and looking for a new gig. I have recorded in all 3 of his studios from a closet at Rock Creek in Metairie, Mid City, and just recently when I recorded a few pages of an audio book as a demo for a friend/author who just released a new book. Mike is a true friend.” ~ BO WALKER, New Orleans radio legend & Former Production Director, I-Heart Media, NOLA
Airlift Mike (as John Saint John) personal certificate proclaiming him an “Elephant Equestrian Extraordinaire” in the Greatest Show on Earth
Here in 2022 Ringling Brothers Barnum & Bailey Circus has given way to changing times, dwindling ticket sales & digital distractions, as well as a growing respect for the dignity of all animals – and taken down the tent poles for the FINAL time.
Allow me to sidestep the front-page politics and animal rights issues for some rather remarkable personal reflection.
As Sherman on Rocky & Bullwinkle used to say, “Mr. Peabody, set the Way-back machine for 1978!”
It was May that year, shortly before my WKBO/Harrisburg exit for St. Louis that yours truly – as John Saint John – felt the calling.
“The Smell of the Greasepaint and the Roar of the Crowd!”
You see, as afternoon drive air personality for five years at WKBO, I was invited by the PR Team at Ringling Brothers to ‘run off to join the circus’ – to help promote the circus coming to town.
Gunther Gebel-Williams showing-off! Hey, it’s his JOB.
That May day in 1978 I showed up in Hershey, PA to help out with the circus parade, as all the animals made their way from the nearest train tracks on to the Hershey Park Arena for the show.
Gunther Gebel-Williams himself, long-famous at this point for his appearances with Johnny Carson & Ed Sullivan, the heroic, blonde, Germanic ‘Caesar of the Sawdust’ & Head Animal Trainer shouted to me, “John, let me help you UP”
John Saint John high atop the largest elephant in the Greatest Show on Earth
He then cupped his hands at knee-height, I stepped in, and he proceeded to catapult me to the top of the largest African bull elephant in the show for my circus parade ride to the arena.
Wow-ee-wow! There I was riding this humongous animal bareback, no saddle – his skin felt like corrugated cardboard – and there I was, steering him as I held him BY THE EARS!
As if this experience wasn’t already enough, after reaching the arena I was escorted past the maze of entertainers from all over the world, listening to a symphony of foreign tongues from all around the earth… to a makeup trailer.
Lou Jacobs, Dean of Clowns for over 60 years with Ringling Brothers
So, Lou proceeds to personally make me up for the show… red-nosed, white-faced, arched eyebrows, a shockingly-orange wig and some crazy duds, so I can join them IN PERFORMANCE!
Micheal Ziants all ‘tricked-out’ as a Ringling Bros Barnum & Bailey ‘Clown for a Day’, Hershey Park Arena, May 1978
Now I’m IN the “Clown Car” – a wild customized VW Beetle with all the seats taken out and the windows painted so no one could see in, and they pile a dozen of us into this one little car.
We tear into the arena on-cue and are stopped to a screeching halt on the sawdust by a fellow clown cop who then proceeds to knock us all out as we exit the car!
All to the shrieks and howls of the delighted packed crowd.
What seemed so remarkable at this moment to me was that this was the first time I’d ever made people laugh – WITHOUT EVEN OPENING MY MOUTH!
Heading back to my humble apartment later that May night I couldn’t help but feel a bit small, ya know?
Backstage at the circus I listened to every voice and tongue you can imagine, from entertainers who’d traveled from all over the planet to Hershey, PA – the high wire act was from Rio de Janeiro, Gunther & Lou were from Germany, the dog act crowd was Parisian, etc. – and I was just this over-hyped, fast-talking, ego-filled American disc jockey, born just north of Pittsburgh in New Castle.
But I certainly learned a lot about life that day. About community. About teamwork. And a love & appreciation for the most majestic creature on the face of the earth – the elephant.
Oh, and one other thing.
LIFE really IS a Circus!
And we’re not talking metaphor here.
************************************************************** “When I need BIG ‘I-know-that-guy’s-voice!’ sound for any production I am working on, the first call I make is to Airlift Mike. Micheal’s penetrating vocals and second-to-none production quality give my movie & audio feature projects the instant respectability they need. If you want to sound like a pro, meaning no one gives a second thought to your audio because it is so well executed, you want to call Airlift!” ~
— MIKE CHURCH, Former World-Famous Sirius/XM Talk Show Host, Founding Father Film Maker, Writer & Producer of ‘The Spirit of ’76’ and ‘The Road to Independence’ & Creator of the Veritas Radio Network’s Crusade Channel
1984 Times-Picayune Sunday article about that new Mike McCann dude at Q-93
When folks first visit my Airlift Productions Studios here in New Orleans, one of their first questions is regarding my motivation for building such an awesome recording space in the first place.
My response? “Well, quite frankly”, I tell them, “I have an entrepreneurial drive that was forged in the fires of unemployment!”
Really.
Q-93 Memo to Staff & Times-Picayune article about Mike McCann’s exit
I just grew tired and weary of the corporate radio mentality that treated warm, talented and caring humans – with families to look after – as simple commodities!
As all of America today it seems is constantly being outsourced, marginalized, downsized and capsized, even back in the ’80s, I wanted to forge, hand-craft, and create my own future.
Enter the Airlift dream.
Airlift Productions Recording Studio, New Orleans, 2020 Panoramic Studio Pic. Check it out … “Weapons of Mass Production”
I would never have been at Q-93 Radio (WQUE-FM) in 1983 had WIFI-FM in Philadelphia not fired me. A format change to “Rock of the ’80s” – Psychedelic Furs, Oingo-Bongo, Roxy Music, X, Berlin – in early ’83 led to my dismissal.
Imagine taking this excuse to the PA unemployment line bean-counters, “Well, the consultants considered my on-air approach & style too adult sounding and too mature for the new format!” Really.
I would never have been at WIFI in Philadelphia had management not fired the entire air staff at WLAC in Nashville. This legendary 50,000 watt radio station sat on Music Row in Nashville, was owned by Billboard Magazine at the time, and reached Canada and Cuba from the mid-south with it’s remarkable signal.
But it all didn’t matter when Billboard sold the station to new owners – who then changed the format to All-Talk/News and fired/terminated its entire air staff, including yours truly.
Airlift Proprietor Micheal Ziants as alter-ego John Saint John, in the production room at WLAC, Nashville, 1980
I would never have been on-air at WLAC had the Pulitzer family in St. Louis at 55-KSD not made a similar move. The radio station was sold to new owners who then changed the format to All-Talk/News and fired it’s entire on-air personality music air staff.
Are you beginning to see a pattern here? Enter the Airlift dream.
I left Harrisburg on my own terms to pursue my first major market air shift in St. Louis. And I indeed exited Q-93 (as afternoon DJ/Air personality) in 1985 to build my own dream, to fulfill my destiny… to create Airlift Productions.
Airlift Productions was my way of taking all the skills that I’d learned working for “the man” and putting them to work for myself! I simply parlayed the many skills hard-earned and fine-tuned through all those radio years into self-employment as a VoiceOver talent and recording studio owner.
The final chapter? Well, it has yet to be written. As the old advertising adage goes… “watch this space…”
Airlift Mike Onstage with Sid Noel at NOLA’s Orpheum Theater, Halloween 2019
“Dr. Ziants:
My dear colleague, it was a true delight to visit and work with you in yourdigital laboratory. I somewhat envy your remarkable equipment, which far exceeds anything we can afford here in the old city ice house. Your audio production facilities are second to none, and I thank you again for the excellent recordings you produced for the Momus A. Morgus Institute.” — Momus
** A tested-by-time Testimonial from Dr. Morgus (aka – Sid Noel Rideau) direct from the old city ice house to the Airlift digital lab via email.
Airlift Productions Proprietor Micheal Ziants as a ‘babe in the woods’ New Castle, PA. What, no headphones?
From New Castle (PA) to New Orleans (LA) … to quote the California sage Jerry Garcia, “What a long strange trip it’s been!”
Born in New Castle (just north of Pittsburgh) to Charlie & Phyllis, the middle child of five kids, by the time I was five, we’d already relocated all the way to Florida – where we moved two additional times in three years … before moving back north to Youngstown, Ohio.
So, let me see, I’m all of nine years old and I’ve already had five different mailing addresses in three different states in the union. No, pop wasn’t running from the law, just an upwardly mobile and in-demand chemical/mechanical engineer.
My first jobs were newspaper boy, altar boy, and grocery bagging and delivery boy. Boy, that’s a lot of ‘boys’. And great training at a young age in dependability and responsibility for manhood, I might add.
Even as a young dude (boy) through all these very same years, the roots of the recording studio and voiceover career were planted. I took up acting in civic children’s theater, studied ventriloquism (even built my own dummy), taught myself to play the guitar (had my own band in high school) … and fell in love with radio & communications.
Micheal Ziants High School Grad Pic 1970 Northwestern High, Beaver Falls, PA
Upon graduating high school, with dreams of heading to the military academy at West Point, I spent a year working hard as a land surveyor during the day and attending Penn State by night. When the academy dreams fell apart, I’ve got to admit – it was radio, communications and broadcasting that captured my heart.
Big time!
So, after carrying a 4.0 in English, Speech, Philosophy and (oh, my) Calculus at Penn State, I decided to drop out, follow my heart and launch a career in radio. Now the fun begins.
When I arrived in New Orleans at Q-93, the station was then owned by Insilco, a Fortune 500 outfit with silver mines all over planet earth!
But I just grew tired and weary of the fragile existence that radio offered and/or threatened, along with the toll on my private and personal life.
Ya’ want to know something? Women will only take to that packing and unpacking, up-and-down-the-radio-dial life for just so long … before they say ‘so long’.
Necessity being the mother of invention, I began the Airlift Productions thing – recording and producing ‘voice-overs for export’ – long before it became fashionable. I built my first recording studio in 1984, ‘burned the ships’ (as the expression goes) and never looked back.
The Original Airlift Productions – before digital, the internet & mp3s – in the closet of my one-bedroom apartment – 1985
Airlift Productions was my opportunity to combine all my loves – acting, music, communications, production and radio – into my own business. Oh sure, I could still run the bus off the road, but at least from now onward … I was the one at the wheel.
1984 was the age of reel-to-reel magnetic recording tape, grease pencils and splicing blocks, cassettes and Fed Ex next-day deliveries. The internet and world wide web, mp3 email attachments, and digital non-destructive edits weren’t even dreams yet in a tech head’s head!
Fast-forward now to 2021… and the kid has stayed in the picture. I still love to paint those mental pictures, color the air with bright pastels and deep earth-toned hues … motivate with sound!
Micheal Ziants and the new “Annie” Quvenzhane Wallis, recording for Chrysler and sharing a few laughs at Airlift Productions
And what a thrill and honor to do it all from the world’s most unique city and America’s most fascinating destination. If you’ve been to New Orleans you know whereof I speak … and if you haven’t, well, you’ll just have to take my word for it.
“I listened to a lot of voices to represent Detective Lt. Robert (Robbo) Davidson for our audiobook version of “The Evil I Have Seen” and none quite fit. At last, I did a search for a commanding, seasoned, slightly Southern voice — and pulled up Airlift Productions of NOLA. I clicked on Micheal’s sample narrations of “Murder in Coweta County” then James Patterson’s “The Chef,” and I was hooked. No one else would do.
I was surprisingly delighted after speaking with Micheal to learn, he would not agree to narrate and produce the audiobook until he read it. He wasn’t in it just for money — he would only partner on material he believed to be worthwhile.
It has been a delightful, rewarding experience and Robbo and I could not be more proud of the way he brought this book to life. He is the voice, the director and producer of the audio version of “The Evil I Have Seen.” I recommend him wholeheartedly! — P.J. JONES, AUTHOR of the out-now shocker, “The Evil I Have Seen”
Footprints in the Sands of Time …. or skid marks at the intersection?
I guess it’s human nature for all of us to seek love and respect in life. Respect from family, friends and co-workers. And to be thought lovingly of and to be fondly remembered by those we’ve left behind is to never die. You know, “footprints”.
Well, as a life-long student of history, world religions and philosophy, I’ve read many a book on history, but I can honestly say that I’ve never been IN one … until now.
I don’t know what you – the reader of this blog – were doing in the 1970s, or even if you were alive in the ’70s, but in that decade I left enough creative blood and sweat in Harrisburg, PA radio station control rooms to fill a swimming pool!
And here, in the 21st century, Harrisburg native, broadcast vet, engineer & scholar Timothy P. Portzline has written ‘Harrisburg Broadcasting: Images of America’, wherein he devotes an embarrassing amount of ink to yours truly.
Available today through all the usual outlets and on Amazon here — ‘Harrisburg Broadcasting’ tells the remarkable story – along with images – of radio’s & television’s roots in the state capital of Pennsylvania. Including that irascible John Saint John guy.
Yes, it was my job every afternoon for over five years to entertain state workers (white & blue collar) in the ‘commuter combat zones’… topical, relevant, cutesy, but never ‘rude, crude, or lascivious’. And it was all LIVE and direct into car speakers years before the internet, web, mp3 players and digital downloads.
Listen to a WKBO Radio AirCheck of John Saint John from 1977, along with Listener Introduction here ….
This recording, along with a few others, helped to catapult me from Harrisburg to afternoon drive with the Pulitzer Family at NBC affiliate KSD Radio in Saint Louis the very next year.
Pre-MP3/Downloads – in the days of 45 rpm records – a WKBO Radio weekly music survey, charting record sales … with John Saint John
‘Fun’ is too weak a word. ‘Exciting’ barely captures the passion and drive. Personality Radio to a then-20-something was EVERYTHING! It’s a good thing J. Albert Dame (WKBO owner)didn’t know it, but I would have paid HIM for the opportunity.
And to think, to this wild-eyed wanderer … New Orleans, recording studio entrepreneurship and Airlift Productions weren’t even dreams yet or even on my radar.
The Cherokee have a sentiment and saying which states that each of us (as “human beings”) live as long as the last person who remembers us.
So we’ll leave it all to the history books and workplace water cooler talk to make sense of my years in Pennsylvania’s capitol city. Footprints…or skid marks. Either way, I wouldn’t change a thing or trade a day.
In the meantime, the mics are hot and the creative juices are still flowing … in NOLA … every day … at AirliftProductions.com
“Micheal Ziants and Airlift Productions offer an excellent and affordable option for VoiceOver & Recording.” — Michael Morris, Head of Post-Production, Discovery Studios, Hollywood, California
Original Airlift Productions LOGO – 1984 by Harrel Grey
It’s kind of strange the way inspiration works. I was sitting at a bar that no longer exists in a hotel that no longer exists while dreaming of a business that didn’t yet exist … and it struck!
In my second year on Q-93 radio ( WQUE-FM, New Orleans ) as afternoon air personality Mike McCann, I was frustrated and, to be honest, somewhat frightened and more than a bit concerned.
After all, I would not have been at Q-93 had a format change not led to my being terminated/fired from my on-air job in Philadelphia! And wouldn’t have been in Philly had they not let the entire air staff go in Nashville! A similar story – station sale & format change – led to my exit from St. Louis.
Short story longer, I used to wake up in a cold sweat on the waterbed (hey, it was the 1980s) in the middle of the night wondering where I’d be when I reached age 40, to say nothing of 50 or 60 if I stayed on my current path.
So, my Q-93 partner in crimeRon Chatman and I were sitting around the bar at Bert’s, a bar on the first floor of a now-imploded and long-gone hotel on Canal Street having a few, comparing battle scars and musing about our collective futures.
Bing-Search-Generated Image page for Airlift Productions
I grabbed a bar napkin and started doodling, sketching, dreaming … and came up with the first crude version of the Airlift Productions logo.
Airlift – as in ‘to the rescue’, with all it’s heroic connotations. If all radio & TV commercials are indeed sent over the air, “let me give your Air a Lift!” Alphabetical listings being what they are, I’d also be listed first in all the recording studio listings.
** Airlift Mike narrates James Patterson’s best-seller “The Chef”, now available on worldwide AudioBook platforms **
Plus, I somehow knew all those years ago that the studio would be involved in projects bigger and loftier than just commercials, so it just had to be Airlift ‘Productions’. I knew that I was on to something.
The year was 1984.
After hiring local artist, the late Harrel Grey to fine-tune my crude bar napkin logo rendering, I trademarked it with Baton Rouge officials, got my first bonafide freelance account – WGNO-TV/Tribune Broadcasting – and was off to the races.
Airlift Productions Logo Reboot ~ re-imagined by Digital Artist Ethan Anderson ~ 2012
Today, in 2021, if one were to do an internet search with just those two words ‘airlift productions‘ in a search engine – with no qualifiers, no country or state, nothing else – out of over several million possibilities worldwide and worldwide-web-wise – there I am.
Hard to believe that as I write these words it’s well over thirty years later, but that’s what the calendar tells me.
Meanwhile, the technology, the recording gear & the delivery methods somehow grew into my dream & vision.
And the jobs? Well, Airlift Productions has today recorded and delivered audio all around the world – literally!
Mandarin Chinese-translated video for the Port of New Orleans, Shell Oil Industrial Narrations for Melbourne, Australia… Arabicaudio for MBC (Middle East Broadcasting) in Dubai…AudioBooks for every major player on Manhattan Island in NYC…
And while most my age have thrown in the towel, walked away or passed away, here in 2021, I find myself mapping-out my next 20 years in business.
So, what’s in a logo? In a word – Everything!
And I do mean every little … and BIG … thing.
Airlift Productions Recording Studio, New Orleans, 2021 Panoramic Studio Pic. Check it out … “Weapons of Mass Production”
Steve Scalise & Airlift Mike during a break from “Back In The Game”, Airlift Productions NOLA, October 2018
“Mike, I can’t thank you enough for the great job you did coaching me through the audio recording of my new book, ‘Back in the Game!’ Since this was the first book I’ve ever written (and recorded), it was all new territory for me. You made the entire process go very smoothly, and I am incredibly happy with the final product.
I appreciate all you did to bring this book to life. You know you are really good when both James Carville and I are in complete agreement that you are great to work with!!” – CONGRESSMAN STEVE SCALISE
Even though I haven’t worked LIVE on the radio this century, the dreams persist.
I’m on-air in a control room in the 1970s or ’80s, or more to the point, locked-OUT of the control room… records are running out… I can’t find the right commercials… DEAD AIR!
a full-page ad in Sunday’s Times-Picayune promoting WQUE’s Mike McCann
Town-to-town, packing, unpacking…. making new friends, saying goodbye to old friends… up & down the radio dial… AM, FM… ego trips, bad trips… but through it all —-
Radio was without question the most fun I ever had with my clothes on!
And the people and towns it brought into my life informed my life – and changed it. { Cue the flashback harp music glissando …}
It was 1989, and after many years freelancing, I was ‘seduced back to the dark side of the force’… and re-entered radio for a brief while here in New Orleans at WQUE-FM/Q-93 as one half of a morning team, partnered with this character called ‘the Gator’.
While we only lasted a short while as a team on-air, there was magic! At least enough to catch the interest of an agent. An agent who then parlayed our airchecks into a LIVE On-Air three-day audition at Boston’s top-rated WZOU over Christmas of 1989!
(L-R) Micheal Ziants (Mike McCann), Comedian/Actor Sinbad, Gator on-air at Q-93 New Orleans in the Fall of 1989
Steve Rivers, program director at the time, flew the Gator and me into Boston, put us up at the Boston Harbor Hotel (pretty swanky) and we actually woke up the city of Boston, Mass for three mornings that winter!
I’m at a loss for words to explain how vibrantly thrilling and exciting this whole process was. Working LIVE on-air, walking a tightrope without a net ( no ‘take two’ as is done in a recording studio ), in a strange town … and all in the days before the internet & the world wide web … you know, when radio was really radio! Wow!
Listen to just some of the madness, excitement and fun of this on-air audition at this monster of a radio station here —
The absolutely precious WZOU “Zoo-Cat” logo – complete with headphones – as it appeared on bumper stickers & T-Shirts in 1989
Now, to ‘cut to the chase’, we were not hired at WZOU. After all was said and done – and believe me, much was said and done – management decided that our act would not fit-in in Boston … and we flew back to New Orleans without a contract.
Funny the way life works. When I think how differently my life would have turned out had we gotten this job it makes my head spin. Me, a Yankee again? No Airlift Productions? Erase my over thirty years of contributions to New Orleans media & history? I think not.
But was it ever fun! And still makes for quite the story over beers with the guys, or when we sit around comparing battle scars in the radio wars … or, like the fishermen here in Sportsman’s Paradise – talking about the big one … that got away.
Nathan J. Robinson, while recording at Airlift Productions, October 2019
“Mike is a master of his craft, a true audio artisan. The long days I spent recording my audio book with him were a joy. First and foremost, he is a meticulous professional who wants to make sure that the production achieves the best possible quality. Because of his extensive background as a voice actor, he can coach you in exactly how to make something sound serious, credible, and powerful.
And because he built the whole studio himself, he knows how to get the most out of his equipment and produce exceptional recordings. But more than that, Mike is not just a skilled producer. He’s a great guy, with a tranquil life philosophy that will put you at ease and make you feel comfortable enough to give your best effort. He knows how to make you feel good, from the mood lighting to his calming presence in your headphones. He’s funny, too, and has lots of great stories from his long career in radio.
I truly had a blast working with Mike and will write another book just to do a new audio book with him.” — NATHAN J. ROBINSON, Editor in chief of Current Affairs magazine and author of Why You Should Be A Socialist.
While I daily walk with ‘the saints’ – ya know, guys like Paul/Saul of Tarsus, Francis (of Assisi), Sister Thecla, et al – this post is all about my years and stories of time spent with our New Orleans Saints.
It all began way-y back in 1983.
As the young (er) DJ/Q-93 Radio air personality Mike McCann, doors were opened to me that, quite frankly, not everyone gets to walk through.
Times-Picayune Ad for that Mike McCann dude back in the mid-’80s
Together with Walton & Johnson (new to NOLA and also new to WQUE-FM radio), we emceed talent shows, cheerleader competitions… I even hosted Ladies’ Nights at the Airport Sheraton’s nightclubs known as Nightlite and Valentine’s.
My ‘job’ on those nights was to entertain – walk the club with a wireless mic, run crazy contests, give away concert tickets, albums (yes, vinyl), tell jokes, and keep the party going.
The club was packed every night and the dance floors were jammin’ to the likes of Rick James, Prince, Michael Jackson, Chaka Khan, Whitney Houston, Stevie Wonder….
Morten Andersen, as he looked in those studly Valentines/Airport Sheraton days
The regular crowd on those poker-hot wild nights included Morten Andersen, Brian Hansen, Dave Waymer, Saints new & old, even members of the then-fledgling U.S.F.L.’s New Orleans Breakers.
In the ’80s, the Saints’ go-to kicking team was Morten Andersen & Brian Hansen, and one night I showed up for Ladies Nights only to find Morten & Brian, dates in hand, waiting in line to get in!
Of course, I helped them ‘cut’ the line. Wouldn’t you?
Saints’ Defensive Back Dave Waymer (1958-1993)
Legendary Saint free safety, the late Dave Waymer (ole #44) was a regular, sitting at the end of the bar through many a night. I have fond memories of Dave, the laughs we shared, as well as the the way-too-many Canadian Moosehead beers he would send my way.
Sadly, upon exiting NOLA for brief stints with the 49ers & Raiders, Dave died suddenly on his North Carolina farm at the age of only 34.
In the early ’80s, now-Pro Football Hall of Famer Morten Andersen, the Great Dane, was new to the states & New Orleans, while I was freshly-minted as the new afternoon drive guy on Q-93.
Upon meeting in ’83, we bonded, talked on-air together, laughed and swapped stories, hung-out at the clubs together, even chased a woman or two together. Great guy, great times, greater stories.
And not many fit for a blog post.
Ole reliable #8, Archie Manning, in a classic shot from his Saints days
Fast-forward to the ’90s, and in the early days of Airlift Productions, in the Iberville Street years, my audio production skills, voice and writing came to the attention of Archie Manning.
Archie, together with Mississippi bodybuilder Steve Smith, created Archie Manning’s Golds Gym at Cleary and Veterans Blvd. in Metairie, and I began a two-year run working alongside Archie to promote the gym.
This involved regular meetings with Archie, my writing of all the spots, audio production, and regular studio visits to record with Archie.
While I’ve never met his boyz Peyton & Eli, I’ve sure shared some amazing times with ole #8, the dude that started it all!
Deuce McAllister records PSA TV VoiceOvers with Airlift Productions, NOLA
I first met and recorded living legend & ‘ground pounder’, the Saints’ Dulymus “Deuce” McAllister in 2016, after being sought out to record his voiceover tracks for the Mississippi State Child Protective Services Department.
Together, we phone-patched to their offices and captured his voice for use in a PSA campaign that ran all over MS. radio & TV for a cause that Deuce & I hold close to our hearts – keeping our kids out of harm’s way.
‘Nuff said. But what a great, humble, and soft-spoken guy this is.
The one Saint that stuck?
The one I still run with and call a good friend?
Brad’s trading card… gee, smells sorta like bubble gum
St. Louis-bred Brad Edelman, ole #63, was drafted by the Saints in 1982, got to NOLA just a bit before me, and went on to become the first offensive lineman in the history of the Saints selected to the NFL Pro Bowl.
He exited the NFL in 1991, began a thriving photography business, took up drumming, the harmonica, acting – and took to hanging out with yours truly.
Brad Edelman & Airlift Mike, having a laugh at Airlift Productions NOLA, 2017
Brad has come to my Endymion parties on Iberville Street, got to know my family, bought me lunches… and has spent a lot of time around my Airlift Productions recording, laughing, and, well, just being brotherly.
Through my now-36-year run here in New Orleans running the Airlift Productions Studios – from Iberville to Pomona – I’ve certainly got more than my share of colorful stories.
But my days/daze with our New Orleans Saints, young & old, still with us and those departed, are among my favorites.
And today, with so much of my work centered around the AudioBook field, I was joking just the other day with son Ben about Drew Brees.
Come on, I told him, if I’ve already recorded James Carville, Mary Matalin, Congressman Steve Scalise, & Necar Zadegan for the top AudioBook producers in NYC… even personally read “The Chef” for James Patterson’s gang….
Drew Brees entertains a captive Sunday Superdome crowd
Upon hanging up the cleats and retiring, walking away from the game, it’s safe to say that ole #9 Drew’s got a book or two in him, right?
Stranger things than this have already happened – one day he’ll need a great space, a finely-tuned recording studio, together with an experienced and reliable producer, to lay it down…
”Airlift Productions in New Orleans – Perfect sound in the booth, amazing engineering, and Mike is a man of all trades who can do voice work as well. (Probably the most golden-toned voice I have ever heard and we’ve all heard some lovely voices)… I cannot say enough nice things about the experience of working with him.” ~ LISA CAHN, Veteran Producer, Hachette Audio Book Group, NYC
Yes, in those prehistoric days before the internet, the web, and a digitally-connected world, RADIO was the thing. No iPads, iPods, iPhones… if you wanted to hear your favorite song, you turned on a radio!
In 1982, Ronald Reagan sat in the Oval Office, ‘E.T” was huge at the box office, and my “office” was the morning drive chair 5:30 – 9:00 on WIFI-92!
One of my fave Rejection Letters during the post-WLAC 1981 Radio Job Hunt ~ just keep the Faith, Mike
Picked up on waivers from Nashville, out of work for nearly half a year due to Billboard Magazine’s fall ‘housecleaning’ at WLAC, I came to the attention of big Tom Bigby. He liked what he’d heard on an aircheck, called, we met during a layover at the Nashville airport – and he hired me.
It’s really hard to find the words to describe the thrill of the morning call to the starting gate. (Despite some mornings being the ‘snow plow’) I mean, what a challenge to be the first voice a person heard in the morning – in the bathroom, the kitchen, by the bed, under the car dashboard in the commute – in Phila-freakin’-del-phia!
Rockin’ the Cradle of Liberty ~ WIFI, Philadelphia.
Morning Drive Radio was exciting, pulse-pounding and very rewarding on many levels. But what I remember most about the Philly days/daze is Satur-days!
Airlift Mike (Ziants) aka John Saint John in the WIFI Production Studios 1982 (thanks to brother Andre Gardner for the pic)
Every Saturday, from 10 am to 3 pm – the most listened-to weekend day part – I cranked up TURNTABLES, brought in the most amazing collection of VINYL and held court with “From Motown to the Philly Sound”!
It was my professorial, Dick Clark-ish, honky, white boy approach to the most sizzlin’, cookin’, excitin’, sex-citin’ hit music of the 20th century.
Temptations. Four Tops. Supremes. Junior Walker. Marvin Gaye. Martha & her Vandellas. Spinners. Harold Melvin & his Blue Notes. Barry White. Michael Jackson… all served-up with background, historical facts, dates, anecdotes – and fun!
** John Saint John Entertains Philadelphia on WIFI-92 ~ From Motown to the Philly Sound in 1982 **
But…
In early ’83, the Bala Cynwyd-General-Cinema corporate crew (Art Camiolo, et al) decided to hire a consultant out of Los Angeles (only the name has been changed/dropped toprotect the guilty), change the format to ‘Rock of the ’80s’, and fire/terminate that morning John Saint John dude because he’s way ‘too adult and mature sounding for the new format’!? As I sat in Lafayette Hill with a wife and new child. Really?
But, ya know, when you’ve found a way to take all the sh*t folks throw at you … and then throw it over your shoulder to use as fertilizer for tomorrow’s crops, you roll with it.
As Dr. Napoleon Hill taught me, in the ashes of every defeat sleep the seeds to a greater or equivalent benefit. And I am a graduate – with honors – from the University of Adversity.
Besides, New Orleans …. and my destiny …. and Airlift Productions were calling.
“I had the extreme pleasure of working with Mike of Airlift Productions for a project in 2016. He was professional, courteous and most importantly, fun to work with. Mike is patient and very thorough with his recording, making sure that what you want is done before he powers down the gear for the day. 10/10, I would work with him again.”– JARED GARCIA, Sr. Recording Engineer for Blackstone Audio and Downpour.com
