From AudioBook-fed earbuds on a London commuter train to grief-stricken Cancer patients gathered around iPads in New Orleans… now throw in interstate-clogged, radio-driven commutes into work from Sacramento, CA to Washington, DC & from Akron, Ohio to Tampa Bay, Fla. – how remarkable here in 2024 to be…
EVERYTHING.
EVERYWHERE.
ALL AT ONCE.
But the fact is that AudioBooks I have narrated and/or produced here at Airlift PROductions are being consumed at any given moment on any given continent, while at the same time, weekday mornings my radio imaging VO tracks are LIVE driving conservative talk iHeart radio stations across America!
Airlift Mike narrates “The Evil I Have Seen” from Robbo & P.J. Jones * Excerpts
As “Mike McCann” ** Radio Imaging for Michael DelGiorno on iHeart Radio
Meanwhile, at the very same time, the podcasts I’ve produced for the gang down at Ochsner Health Institute continue to dole out downloadable sage advice around the clock 24/7/365 to the Gulf South and beyond on surviving “The Big C”.
Ochsner Cancer Docs Colon Cancer Podcast Excerpt
See what I’m sayin’?
EVERYTHING.
EVERYWHERE.
ALL AT ONCE.
What a trip, huh? And a virtual one, at that. All made possible by harnessing the tech – analogue & digital toys & slick DAWs connected to wicked-fast internet fiber – and marrying it to an exhilaratingly creative, relentless, indefatigable (you like these words?) work ethic.
What a trip is right! And one that would have given pause to old H.G. Wells, Jules Verne, or George Orwell. Even old Rod Serling would’ve lit up a lung dart to stare unblinkingly into the camera and muse over the possibilities.
Yours truly at the Airlift Productions Spirit Soundcraft mixing desk
“I met Mike in 2004 working on a recording project for WDSU’s Children’s Miracle Network telethon benefiting Children’s Hospital and we became instant friends. He’s the best at what he does, an all-around great guy and fun to hang out with. The folks that call Bag of Donuts’ hotline to book my band and buy our merchandise are greeted with a first impression of Mr. Ziants navigating their call and have told me that our professionalism stands out, which is exactly what we are going for and why we partner up with the best!” — JERRY CHRISTOPHER, JR * FOUNDER & BAND LEADER OF BAG O’DONUTS, NEW ORLEANS’ MUSIC HALL OF FAME HONORED ALL-TIME FAVE COVER BAND
Allen was there to accept yet another award and, as the show’s live announcer (a job I enjoyed for ten straight years) it was my duty that night to introduce him to the packed house.
Allen at 1600 Pennsylvania Ave, getting to know President Obama
Warm, engaging, self-deprecating, soft-spoken, and impeccably dressed, Allen Toussaint truly defined the word – Gentle-man, with qualities that truly belied his most amazing and breathtaking list ofrather heady andremarkable musical accomplishments.
That night we laughed and got to know each other. In fact, after recognizing my voice from years on local television, he asked me, “Mike, would you do a few of those ‘Tonight on Fox Night at the Movies’ promos for my lady?” Laughingly, I agreed. And did.
November 10th in 2015 at the age of 77, across the ocean in Madrid, while performing and doing what he loved, Allen suffered a heart attack and proceeded to drop his body… and move on.
As he left us with musical memory after memory after memory. Is it even possible to pick a favorite? From “Mother in Law” to “Southern Nights”, “Working in a Coal Mine” to “Lady Marmalade”, and these are but some of the radio ‘hits’. They just go on and on and on….
Epic & Legendary New Orleans Recording Engineer & Producer Cosimo Matassa Service Prayer Cards ~ September 16th, 2014
You see, the Coz was the one behind the huge mixing console down in NOLA’s French Quarter in the ’50s & ’60s who made all that musical magic happen with Allen and so many others back in the day.
That day – and this is so Allen – the entire crowd, and it was sizable, was all dressed in funereal black. Except for Mr. Toussaint. Ask anyone who was there. Allen wore the most amazing shade of iridescent blue!
Now, we’re the ones who are… blue, that is. As Allen Toussaint belongs to the ages. And pages of musical history.
Oh, and no minor footnote here, he also posthumously loaned his name to a major New Orleans thoroughfare formerly known as Robert E. Lee Boulevard.
Brother Allen, rest in power and musical paradise, thanks for all you brought us and taught us through all those years.
And for all that MUSIC!
Our ‘Southern Nights’ will never be the same.
** Allen Toussaint waves “Bye, Bye”, as only he could, via YouTube **
Nathan, while recording at Airlift Productions, October 2019
“Mike is a master of his craft, a true audio artisan. The long days I spent recording my audiobook with him were a joy. First and foremost, he is a meticulous professional who wants to make sure that the production achieves the best possible quality. Because of his extensive background as a voice actor, he can coach you in exactly how to make something sound serious, credible, and powerful. And because he built the whole studio himself, he knows how to get the most out of his equipment and produce exceptional recordings.
But more than that, Mike is not just a skilled producer. He’s a great guy, with a tranquil life philosophy that will put you at ease and make you feel comfortable enough to give your best effort. He knows how to make you feel good, from the mood lighting to his calming presence in your headphones. He’s funny, too, and has lots of great stories from his long career in radio. I truly had a blast working with Mike and will write another book just to do a new audiobook with him.”
— NATHAN J. ROBINSON, Editor in chief of Current Affairs magazine and author of ‘Why You Should Be A Socialist’
Original Airlift Productions LOGO – 1984 by Harrel Grey
It’s kind of strange the way inspiration works. I was sitting at a bar here in downtown New Orleans that no longer exists in a hotel that no longer exists while dreaming of a business that didn’t yet exist – and it struck!
In my second year on Q-93 radio ( WQUE-FM, New Orleans ) as afternoon air personality Mike McCann, I was frustrated and, to be honest, somewhat frightened and more than a bit concerned.
After all, I would not have been at Q-93 had a format change not led to my being terminated/fired from my on-air job in Philadelphia! And wouldn’t have been in Philly had they not let the entire air staff go in Nashville! A similar story – station sale & format change – led to my exit from St. Louis.
Short story longer, I used to wake up in a cold sweat on the waterbed (hey, it was the 1980s) in the middle of the night wondering where I’d be when I reached age 40, to say nothing of 50 or 60 if I stayed on my current path.
So, my Q-93 partner in crimeRon Chatman and I were sitting around the bar at Bert’s, a bar on the first floor of a now-imploded and long-gone hotel on Canal Street, having a few and comparing battle scars while musing about our collective futures.
Bing-Search-Generated Image page for Airlift Productions
I grabbed a bar napkin and started doodling, sketching, dreaming – and came up with the first crude version of the Airlift Productions logo.
Airlift – as in ‘to the rescue’, with all it’s heroic connotations. If all radio & TV commercials are indeed sent over the air, “Let me give your Air a Lift!” Alphabetical listings being what they are, I’d also be listed first in all the recording studio listings.
** Airlift Mike narrates James Patterson’s best-seller “The Chef”, now available on worldwide AudioBook platforms **
Plus, I somehow knew all those years ago that the studio would be involved in projects bigger and loftier than just commercials, so it just had to be Airlift ‘Productions’. I knew that I was on to something.
The year was 1984.
After hiring local artist, the late Harrel Grey to fine-tune my crude bar napkin logo rendering, I trademarked it with Baton Rouge officials, got my first bonafide freelance account – WGNO-TV/Tribune Broadcasting – and was off to the races.
Airlift Productions Logo Reboot ~ re-imagined by Digital Artist Ethan Anderson ~ 2012
Today in 2024, if one were to do an internet search with just those two words ‘airlift productions‘ in a search engine – with no qualifiers, no country or state, nothing else – out of over several million possibilities worldwide and worldwide-web-wise – there I am.
Hard to believe that as I write these words it is forty years later, but that’s what the calendar tells me.
Meanwhile, the technology, the recording gear & the delivery methods somehow grew into my dream & vision.
And the jobs? Well, Airlift Productions has today recorded and delivered audio all around the world – literally!
Mandarin Chinese-translated video for the Port of New Orleans, Shell Oil Industrial Narrations for Melbourne, Australia… Arabicaudio for MBC (Middle East Broadcasting) in Dubai…and AudioBook production for every major player on Manhattan Island in New York City.
Furthermore, the latest “plum” fallen from this marketing tree?
I am now heard nationwide as the Imaging/Announcer Voice for iHeart Radio’s Michael DelGiorno & his “Your Morning Show” Talk Show every weekday morning – from Sacramento to Nashville and from Tampa Bay to Youngstown/Akron.
With Anchorage and Washington D.C. waiting in the wings….
As I provide the “Ed McMahon to his Johnny Carson” – Four breaks an hour through three hours of conservative talk every weekday morning across America!
Yes, while most my age have thrown in the towel, walked away… or passed away, here in 2024, I find myself still writing new & exciting chapters.
So, what’s in a logo? In a word – Everything!
And I do mean every little and BIG thing.
Airlift Productions Recording Studio, New Orleans, Panoramic Studio Pic
Steve Scalise & Airlift Mike during a break from “Back In The Game”, Airlift Productions NOLA, October 2018
“Mike, I can’t thank you enough for the great job you did coaching me through the audio recording of my new book, ‘Back in the Game!’ Since this was the first book I’ve ever written (and recorded), it was all new territory for me. You made the entire process go very smoothly, and I am incredibly happy with the final product.
I appreciate all you did to bring this book to life. You know you are really good when both James Carville and I are in complete agreement that you are great to work with!!” – CONGRESSMAN STEVE SCALISE
Airlift Productions 3927 Iberville Street location, under construction in 1989
If you ever recorded at or visited or got silly during Friday ‘happy hours’ at the now-the-stuff-of-legend Airlift Productions Iberville Street location … have you ever paused to consider what it took to create that remarkable space?
It’s not too bold a statement to say that my blood is quite literally in the mortar that holds the very bricks in this wall together! For though I am not a mason or a brick layer, I certainly played one in 1989 on Iberville Street.
Airlift Productions Proprietor Micheal Ziants ~ like a proud papa ~ at the Airlift shingle, Iberville Street, NOLA 1992
With the help of just one other guy (Joe Delery now works in the crime division of the NOPD), I also pounded the nails, hung & floated sheet rock, packed insulation, laid carpet, and wired the entire facility. Whew!
And oh, the people who were destined to walk through that front door to record within these walls … Peyton & Eli’s pop Archie Manning, Mayor Marc Morial, his mother Sybil, the Rev. Avery C. Alexander, Romper Room’s “Miss Linda” Mintz, Dr. Morgus the Magnificent, Ronnie Lamarque, I CAN Learn founder John R. Lee, WDSU’s Norman Robinson …
Dr. John Autograph to Airlift Mike on old Airlift Iberville Street Notepad
And a whole host of radio rebels, stand-up comics, misfits, in-laws & outlaws!
The mantra through the entire construction stage was ‘Build it…and they will come!’ What a passion, what a studio… what a time!
Airlift Productions – as it looked in 1992 on Iberville Street … Reel-to-reel analog decks, outboard gear & mixer, the way recording used to be done. Oh, if only you’d lived then, kids.
** A “Mike McCann” classic VoiceOver/Production Demo from the 90s, all produced on Iberville with R-R tape – for NOLA clients like WVUE-TV, Pat O’Brien’s, Times-Picayune, etc. ***
But as much as I loved this location, Iberville street, the elevator, my Endymion parties, and having Venezia’s Italian food, Angelo Brocato’s, Mandina’s & Liuzza’s but a block or two walk away … I flooded twice at this location – and this was well before Mother Katrina came to town!
Airlift Proprietor Micheal Ziants outside the Iberville haunts, shortly before the 2001 move to Pomona
So, I ran with my prophetic visions and in early 2001 moved the entire Airlift Productions business well out of the flood plain and to the high ground just the other side of the now-infamous breached 17th Street Canal . To start over.
Yet again.
But Airlift on Pomona – along with its construction & marketing challenges – is the story for another blog and another time.
Amy Landon recording audio books at Airlift Productions New Orleans, March 2017
“Working with Airlift Mike in NOLA was an utter pleasure. I was in town for business for a month and needed to maintain my audiobook recording schedule. Mike was accommodating and a pure professional. He mastered the punch and roll technique in 24 hours to be ready for our first session, and over the course of the month we laid down 5 books and a number of auditions. His studio sounds great. The vibe & atmosphere can’t be beat. You’d be hard pressed to find a better recording studio in the southeast – no matter what your needs. I wish I could have stayed!” ~ AMY LANDON, Los Angeles-based Actress & Ultra-busy AudioBook Narrator
1984 Times-Picayune Sunday article about that new Mike McCann dude at Q-93
When clients first visit my Airlift Productions Studios here in New Orleans one of their first questions is regarding my motivation for building such an awesome recording space & studio complex in the first place.
My response? “Well, quite frankly, I have an entrepreneurial drive that was born and forged in the fires of unemployment!”
Really.
Q-93 Memo to Staff & Times-Picayune article about Mike McCann’s exit
I just grew tired and weary of the corporate radio mentality that treated warm, talented and caring humans – with families to look after – as simple commodities!
While much of America today it seems is constantly being outsourced, marginalized, downsized and capsized, even back in the ’80s, I wanted to forge, hand-craft, and create my own future.
Enter the Airlift dream.
Airlift Productions Recording Studio, New Orleans Master Control on Pomona
Pause to consider, I would never have been at Q-93 Radio (WQUE-FM) in 1983 had WIFI-FM in Philadelphia not terminated my position. A format change to “Rock of the ’80s” – Psychedelic Furs, Oingo-Bongo, Roxy Music, X, Berlin all the time – in early ’83 led to my dismissal.
Imagine taking this excuse to the PA unemployment line bean-counters, “Well, the consultants considered my on-air approach & style too adult sounding and too mature for the new format!” Really.
I would never have been at WIFI in Philadelphia had management not fired the entire air staff at WLAC in Nashville. This legendary 50,000 watt radio station sat on Music Row in Nashville, was owned by Billboard Magazine at the time, and reached Canada and Cuba from the mid-south with it’s remarkable signal.
But it all didn’t matter when Billboard sold the station to new owners – who then changed the format to All-Talk/News and fired/terminated its entire air staff, including yours truly.
Airlift Proprietor Micheal Ziants as alter-ego John Saint John, in the production room at WLAC, Nashville, 1980
I would never have been on-air at WLAC had the Pulitzer family in St. Louis at 55-KSD not made a similar move. The radio station was sold to new owners who then changed the format to All-Talk/News and fired it’s entire on-air personality music air staff.
Are you beginning to see a pattern here? Enter the Airlift dream.
I left Harrisburg on my own terms to pursue my first major market air shift in St. Louis. And I indeed exited Q-93 (as afternoon DJ/Air personality) in 1985 to build my own dream, to fulfill my destiny… to create Airlift Productions.
Airlift Productions was my way of taking all the skills that I’d learned working for “the man” and putting them to work for myself! I simply parlayed the many skills hard-earned and fine-tuned through all those radio years into self-employment as a VoiceOver talent and recording studio owner.
The final chapter? Well, it has yet to be written. As the old advertising adage goes… “watch this space…”
Airlift Mike Onstage with Sid Noel at NOLA’s Orpheum Theater, Halloween 2019
“Dr. Ziants:
My dear colleague, it was a true delight to visit and work with you in yourdigital laboratory. I somewhat envy your remarkable equipment, which far exceeds anything we can afford here in the old city ice house. Your audio production facilities are second to none, and I thank you again for the excellent recordings you produced for the Momus A. Morgus Institute.” — Momus
** A tested-by-time Testimonial from Dr. Morgus (aka – Sid Noel Rideau) direct from the old city ice house to the Airlift digital lab via email.
{ Editor’s note 12-7-2022: With word this week of the passing of my longtime radio cohort Wakeman “Gator” Linscomb, I’m re-posting this one about our Boston radio escapade. And, come to think of it, let’s make that ‘TWO’ Big Ones that got away. Rest in Power…And Paradise, pal! ~ mgz }
Even though I haven’t worked LIVE on the radio this century, the dreams persist.
I’m on-air in a control room in the 1970s or ’80s, or more to the point, locked-OUT of the control room… records are running out… I can’t find the right commercials… DEAD AIR!
a full-page ad in Sunday’s Times-Picayune promoting WQUE’s Mike McCann
Town-to-town, packing, unpacking…. making new friends, saying goodbye to old friends… up & down the radio dial… AM, FM… ego trips, bad trips… but through it all —-
Radio was without question the most fun I ever had with my clothes on!
And the people and towns it brought into my life informed my life – and changed it. { Cue the flashback harp music glissando …}
It was 1989, and after many years freelancing, I was ‘seduced back to the dark side of the force’… and re-entered radio for a brief while here in New Orleans at WQUE-FM/Q-93 as one half of a morning team, partnered with this character called ‘the Gator’.
While we only lasted a short while as a team on-air, there was magic! At least enough to catch the interest of an agent. An agent who then parlayed our airchecks into a LIVE On-Air three-day audition at Boston’s top-rated WZOU over Christmas of 1989!
(L-R) Micheal Ziants (Mike McCann), Comedian/Actor Sinbad, Gator on-air at Q-93 New Orleans in the Fall of 1989
Steve Rivers, program director at the time, flew the Gator and me into Boston, put us up at the Boston Harbor Hotel (pretty swanky) and we actually woke up the city of Boston, Mass for three mornings that winter!
I’m at a loss for words to explain how vibrantly thrilling and exciting this whole process was. Working LIVE on-air, walking a tightrope without a net ( no ‘take two’ as is done in a recording studio ), in a strange town … and all in the days before the internet & the world wide web … you know, when radio was really radio! Wow!
Listen to just some of the madness, excitement and fun of this on-air audition at this monster of a radio station here —
The absolutely precious WZOU “Zoo-Cat” logo – complete with headphones – as it appeared on bumper stickers & T-Shirts in 1989
Now, to ‘cut to the chase’, we were not hired at WZOU. After all was said and done – and believe me, much was said and done – management decided that our act would not fit-in in Boston … and we flew back to New Orleans without a contract.
Funny the way life works. When I think how differently my life would have turned out had we gotten this job it makes my head spin. Me, a Yankee again? No Airlift Productions? Erase my over thirty years of contributions to New Orleans media & history? I think not.
But was it ever fun! And still makes for quite the story over beers with the guys, or when we sit around comparing battle scars in the radio wars … or, like the fishermen here in Sportsman’s Paradise – talking about the big one … that got away.
Nathan J. Robinson, while recording at Airlift Productions, October 2019
“Mike is a master of his craft, a true audio artisan. The long days I spent recording my audio book with him were a joy. First and foremost, he is a meticulous professional who wants to make sure that the production achieves the best possible quality. Because of his extensive background as a voice actor, he can coach you in exactly how to make something sound serious, credible, and powerful.
And because he built the whole studio himself, he knows how to get the most out of his equipment and produce exceptional recordings. But more than that, Mike is not just a skilled producer. He’s a great guy, with a tranquil life philosophy that will put you at ease and make you feel comfortable enough to give your best effort. He knows how to make you feel good, from the mood lighting to his calming presence in your headphones. He’s funny, too, and has lots of great stories from his long career in radio.
I truly had a blast working with Mike and will write another book just to do a new audio book with him.” — NATHAN J. ROBINSON, Editor in chief of Current Affairs magazine and author of Why You Should Be A Socialist.
Airlift Productions Proprietor Micheal Ziants as a ‘babe in the woods’ New Castle, PA. What, no headphones?
From New Castle (PA) to New Orleans (LA) … to quote the California sage Jerry Garcia, “What a long strange trip it’s been!”
Born in New Castle (just north of Pittsburgh) to Charlie & Phyllis, the middle child of five kids, by the time I was five, we’d already relocated all the way to Florida – where we moved two additional times in three years … before moving back north to Youngstown, Ohio.
So, let me see, I’m all of nine years old and I’ve already had five different mailing addresses in three different states in the union. No, pop wasn’t running from the law, just an upwardly mobile and in-demand chemical/mechanical engineer.
My first jobs were newspaper boy, altar boy, and grocery bagging and delivery boy. Boy, that’s a lot of ‘boys’. And great training at a young age in dependability and responsibility for manhood, I might add.
Even as a young dude (boy) through all these very same years, the roots of the recording studio and voiceover career were planted. I took up acting in civic children’s theater, studied ventriloquism (even built my own dummy), taught myself to play the guitar (had my own band in high school) … and fell in love with radio & communications.
Micheal Ziants High School Grad Pic 1970 Northwestern High, Beaver Falls, PA
Upon graduating high school, with dreams of heading to the military academy at West Point, I spent a year working hard as a land surveyor during the day and attending Penn State by night. When the academy dreams fell apart, I’ve got to admit – it was radio, communications and broadcasting that captured my heart.
Big time!
So, after carrying a 4.0 in English, Speech, Philosophy and (oh, my) Calculus at Penn State, I decided to drop out, follow my heart and launch a career in radio. Now the fun begins.
When I arrived in New Orleans at Q-93, the station was then owned by Insilco, a Fortune 500 outfit with silver mines all over planet earth!
But I just grew tired and weary of the fragile existence that radio offered and/or threatened, along with the toll on my private and personal life.
Ya’ want to know something? Women will only take to that packing and unpacking, up-and-down-the-radio-dial life for just so long … before they say ‘so long’.
Necessity being the mother of invention, I began the Airlift Productions thing – recording and producing ‘voice-overs for export’ – long before it became fashionable. I built my first recording studio in 1984, ‘burned the ships’ (as the expression goes) and never looked back.
The Original Airlift Productions – before digital, the internet & mp3s – in the closet of my one-bedroom apartment – 1985
Airlift Productions was my opportunity to combine all my loves – acting, music, communications, production and radio – into my own business. Oh sure, I could still run the bus off the road, but at least from now onward … I was the one at the wheel.
1984 was the age of reel-to-reel magnetic recording tape, grease pencils and splicing blocks, cassettes and Fed Ex next-day deliveries. The internet and world wide web, mp3 email attachments, and digital non-destructive edits weren’t even dreams yet in a tech head’s head!
Fast-forward now to 2021… and the kid has stayed in the picture. I still love to paint those mental pictures, color the air with bright pastels and deep earth-toned hues … motivate with sound!
Micheal Ziants and the new “Annie” Quvenzhane Wallis, recording for Chrysler and sharing a few laughs at Airlift Productions
And what a thrill and honor to do it all from the world’s most unique city and America’s most fascinating destination. If you’ve been to New Orleans you know whereof I speak … and if you haven’t, well, you’ll just have to take my word for it.
“I listened to a lot of voices to represent Detective Lt. Robert (Robbo) Davidson for our audiobook version of “The Evil I Have Seen” and none quite fit. At last, I did a search for a commanding, seasoned, slightly Southern voice — and pulled up Airlift Productions of NOLA. I clicked on Micheal’s sample narrations of “Murder in Coweta County” then James Patterson’s “The Chef,” and I was hooked. No one else would do.
I was surprisingly delighted after speaking with Micheal to learn, he would not agree to narrate and produce the audiobook until he read it. He wasn’t in it just for money — he would only partner on material he believed to be worthwhile.
It has been a delightful, rewarding experience and Robbo and I could not be more proud of the way he brought this book to life. He is the voice, the director and producer of the audio version of “The Evil I Have Seen.” I recommend him wholeheartedly! — P.J. JONES, AUTHOR of the out-now shocker, “The Evil I Have Seen”
While I daily walk with ‘the saints’ – ya know, guys like Paul/Saul of Tarsus, Francis (of Assisi), Sister Thecla, et al – this post is all about my years and stories of time spent with our New Orleans Saints.
It all began way-y back in 1983.
As the young (er) DJ/Q-93 Radio air personality Mike McCann, doors were opened to me that, quite frankly, not everyone gets to walk through.
Times-Picayune Ad for that Mike McCann dude back in the mid-’80s
Together with Walton & Johnson (new to NOLA and also new to WQUE-FM radio), we emceed talent shows, cheerleader competitions… I even hosted Ladies’ Nights at the Airport Sheraton’s nightclubs known as Nightlite and Valentine’s.
My ‘job’ on those nights was to entertain – walk the club with a wireless mic, run crazy contests, give away concert tickets, albums (yes, vinyl), tell jokes, and keep the party going.
The club was packed every night and the dance floors were jammin’ to the likes of Rick James, Prince, Michael Jackson, Chaka Khan, Whitney Houston, Stevie Wonder….
Morten Andersen, as he looked in those studly Valentines/Airport Sheraton days
The regular crowd on those poker-hot wild nights included Morten Andersen, Brian Hansen, Dave Waymer, Saints new & old, even members of the then-fledgling U.S.F.L.’s New Orleans Breakers.
In the ’80s, the Saints’ go-to kicking team was Morten Andersen & Brian Hansen, and one night I showed up for Ladies Nights only to find Morten & Brian, dates in hand, waiting in line to get in!
Of course, I helped them ‘cut’ the line. Wouldn’t you?
Saints’ Defensive Back Dave Waymer (1958-1993)
Legendary Saint free safety, the late Dave Waymer (ole #44) was a regular, sitting at the end of the bar through many a night. I have fond memories of Dave, the laughs we shared, as well as the the way-too-many Canadian Moosehead beers he would send my way.
Sadly, upon exiting NOLA for brief stints with the 49ers & Raiders, Dave died suddenly on his North Carolina farm at the age of only 34.
In the early ’80s, now-Pro Football Hall of Famer Morten Andersen, the Great Dane, was new to the states & New Orleans, while I was freshly-minted as the new afternoon drive guy on Q-93.
Upon meeting in ’83, we bonded, talked on-air together, laughed and swapped stories, hung-out at the clubs together, even chased a woman or two together. Great guy, great times, greater stories.
And not many fit for a blog post.
Ole reliable #8, Archie Manning, in a classic shot from his Saints days
Fast-forward to the ’90s, and in the early days of Airlift Productions, in the Iberville Street years, my audio production skills, voice and writing came to the attention of Archie Manning.
Archie, together with Mississippi bodybuilder Steve Smith, created Archie Manning’s Golds Gym at Cleary and Veterans Blvd. in Metairie, and I began a two-year run working alongside Archie to promote the gym.
This involved regular meetings with Archie, my writing of all the spots, audio production, and regular studio visits to record with Archie.
While I’ve never met his boyz Peyton & Eli, I’ve sure shared some amazing times with ole #8, the dude that started it all!
Deuce McAllister records PSA TV VoiceOvers with Airlift Productions, NOLA
I first met and recorded living legend & ‘ground pounder’, the Saints’ Dulymus “Deuce” McAllister in 2016, after being sought out to record his voiceover tracks for the Mississippi State Child Protective Services Department.
Together, we phone-patched to their offices and captured his voice for use in a PSA campaign that ran all over MS. radio & TV for a cause that Deuce & I hold close to our hearts – keeping our kids out of harm’s way.
‘Nuff said. But what a great, humble, and soft-spoken guy this is.
The one Saint that stuck?
The one I still run with and call a good friend?
Brad’s trading card… gee, smells sorta like bubble gum
St. Louis-bred Brad Edelman, ole #63, was drafted by the Saints in 1982, got to NOLA just a bit before me, and went on to become the first offensive lineman in the history of the Saints selected to the NFL Pro Bowl.
He exited the NFL in 1991, began a thriving photography business, took up drumming, the harmonica, acting – and took to hanging out with yours truly.
Brad Edelman & Airlift Mike, having a laugh at Airlift Productions NOLA, 2017
Brad has come to my Endymion parties on Iberville Street, got to know my family, bought me lunches… and has spent a lot of time around my Airlift Productions recording, laughing, and, well, just being brotherly.
Through my now-36-year run here in New Orleans running the Airlift Productions Studios – from Iberville to Pomona – I’ve certainly got more than my share of colorful stories.
But my days/daze with our New Orleans Saints, young & old, still with us and those departed, are among my favorites.
And today, with so much of my work centered around the AudioBook field, I was joking just the other day with son Ben about Drew Brees.
Come on, I told him, if I’ve already recorded James Carville, Mary Matalin, Congressman Steve Scalise, & Necar Zadegan for the top AudioBook producers in NYC… even personally read “The Chef” for James Patterson’s gang….
Drew Brees entertains a captive Sunday Superdome crowd
Upon hanging up the cleats and retiring, walking away from the game, it’s safe to say that ole #9 Drew’s got a book or two in him, right?
Stranger things than this have already happened – one day he’ll need a great space, a finely-tuned recording studio, together with an experienced and reliable producer, to lay it down…
”Airlift Productions in New Orleans – Perfect sound in the booth, amazing engineering, and Mike is a man of all trades who can do voice work as well. (Probably the most golden-toned voice I have ever heard and we’ve all heard some lovely voices)… I cannot say enough nice things about the experience of working with him.” ~ LISA CAHN, Veteran Producer, Hachette Audio Book Group, NYC
The now-vacant 45-story Plaza Tower, towering over the New Orleans skyline
With Ken Burns’ epic PBS mini-series documentary on Country Music now being splashed across flat screens all across America, someone cue the “flash-back” harp music….
One of my more obscure contributions to the media DNA of New Orleans was performing as morning drive air personality on the ill-fated rockin’ country WQXY, Y-96 FM.
While continuing to operate the Airlift Productions studios, then on Iberville Street just off Carrollton and Canal Street, early mornings in late 1989 and early 1990 found me on top of the Plaza Tower building near the Superdome waking UP the Big Easy.
And, WHEW! What a view.
Today in 2019 the same frequency is under Entercom rule and plays classic rock under the Bayou 95.7 banner.
“Mike McCann” (seated) in the Airlift Productions Iberville studios, along with ‘the Gator’, circa 1989
But 29 years ago it was a different game in a different town.
Y-96 FM was an ill-fated attempt to unseat NOLA Country mainstay WNOE … from, ironically, an ill-fated building, that since Katrina in 2005 has remained vacant, and a subject of asbestos-tainted controversy.
But that’s another story all together.
Here’s mine.
As the radio fates would have it, a former on-air buddy from the old Nashville days at WLAC, Smokey Rivers (Fred Flanzer), had stepped-in as consultant to Ric Frances (WQXY GM), and I was offered the morning drive position.
Airlift Productions – as it looked in 1990 on Iberville Street … Reel-to-reel analog decks, outboard gear & mixer, the way recording used to be done. Oh, if only you’d lived then, kids.
So, while continuing to operate Airlift Productionswith all my freelance jobs – WGNO-TV, Ronnie Lamarque, The Esplanade Mall, WNOL-TV, The United Way – I also covered mornings for the Y-96 FM Waking Krewe!
Sample just a taste of “your morning M & M on the FM”, sandwiched in-between Dolly Parton, George Strait, Ricky Van Shelton, and Roseanne Cash, here …
** “Mike McCann” WQXY, Y-96 FM, January 1990 **
Ironically, John Volpe (mentioned here as a fellow air personality) today in 2019 is still a super salesman for the Entercom krewe, which today operates this frequency 95.7/Bayou; and Terrell Robinson (featured here) just recently hung-up his “spurs” & headphones after decades of plying his trade as traffic reporter in New Orleans.
Funny, isn’t it, how some things change, and others remain the same.
Here in 2019, country music sure has changed, the radio stations and owners (like an adult game of musical chairs) sure have changed, but the one now-decades-long constant in the whole NOLA media mix?
“My experience with Airlift Productions was top notch from the start. My company is based in Los Angeles and I had a client that needed to do a last minute VO session in New Orleans. Micheal was incredibly knowledgable and accommodating, not to mention a blast to work with! Our session turned out beautifully. ” — Lizz Rantze, Executive Producer, Rantze + Raves Productions, Los Angeles, CA
The Legendary Walton & Johnson flanking that imported Yankee Mike McCann, Times-Picayune TV Focus, June 1983
It’s kind of funny after all these years and all this time, but I’m still asked about the ‘Mike McCann’ thing.
After all, most disc jockeys (as we were called back in the day) or air personalities on the radio used a stage name or alias for on-air purposes. Perhaps this gave us a more dramatic & imaginative persona, but it also assured us some form of anonymity and privacy. Some form.
A Pennsylvania native with roots further back in Austria & Hungary, and with brothers & uncles who’ve actually mined coal for a living, I’ve long been proud of the family name ‘Ziants’, but never used it on the radio.
The Ziants Boyz (L-R) Tommy (coal miner), Micheal (radio/recording dude), John (Ohio coal mine boss), Steve (newspaper writer/sports editor) … on vacation, Holden Beach, 1994
In fact, through 12 years on-air, all through my tours of duty in Harrisburg (WKBO), Saint Louis (KSD), Nashville (WLAC), and Philadelphia (WIFI) … I was known to the masses as John Saint John!
And it really worked. I could play on and riff on that name all day long … ‘Philly’s one radio saint – that ain’t’, or (in St. Louis) ‘preaching the gospel according to St. John from the banks of the Mississippi’, and … well, you get the idea.
Micheal Ziants ON-AIR at WKBO Radio, Harrisburg, PA as John Saint John rocked the state capital for years, 1973-1978
Without a doubt, the radio days/daze in Harrisburg, PA are among my favorite memories through all these years. “And don’t forget to smell the flowers along the way, ’cause we’re only here for a short while.”
** Micheal as John St. John, On the Air @ WKBO Radio, Harrisburg, PA **
Pre-MP3/Downloads – in the days of 45 rpm records – a WKBO Radio weekly music survey, charting record sales … with John Saint John
In fact, some of my best pals & brothers-in-arms from along the banks of the Susquehanna now belong to the ages and pages of broadcast history.
Your names – and broadcast contributions – are now the stuff of Legend.
** Micheal as John St. John, WLAC, Nashville, 1980 **
But you know, names, people and places will always change … and upon my arrival in New Orleans in 1983, so did the “John Saint John” thing.
a full-page ad in Sunday’s Times-Picayune promoting WQUE’s Mike McCann
Q-93 (owned at the time by Insilco, an international silver company, really) employed a mid-day jock (who still today does production for Entercom’s WWL) by the on-air name of STEVE St. John … a jock that I would have to follow in afternoon drive! Uh-oh.
WQUE management loved what I had been doing on-air in Philadelphia, and flew me down to hire me in June of 1983. But the name had to go!
Oh well, (sigh) what’s that old Billy Shakespeare line about, “A rose by any other name…”?
So, ‘Mike McCann’ was born. And in one fell swoop, Q-93 hired me for afternoon drive … and these two crazed characters out of Beaumont, Texas – Walton & Johnson for morning drive … all in that one fateful week!
** Mike McCann On the Air @ Q-93/WQUE-FM, along with Walton & Johnson, May 1984 **
Now, at that point in time, John & Steve had only been together for 5 months as a team, having met for a breakfast and formed their alliance just a half year before – in Beaumont.
I had been a top-rated and tested major market air personality for years, and was looking to do mornings at Q, but management had other ideas. And that is the subject for yet another blog… another time.
What’s in a name? The answer, my friend, is blowin’ in the wind.
L-R, Heath Allen, Theresa Andersson, Micheal Ziants, Rich Lenz – during a break from the original HEALING HOUSE sessions, Airlift Productions
“For years, I have worked with Micheal Ziants and Airlift Productions recording songs for Children’s Hospital and the Children’s Miracle Network. Mike’s attention to detail is legendary, but his commitment to the kids and the challenges they face goes far beyond that. He gets it. Professionally, he’s as good as it gets. Everyone SOUNDS better after a session with Mike. And no matter what the audio project, you FEEL better after a session with Airlift. That’s “Z” truth! — HEATH ALLEN, WDSU-TV Reporter, and Veteran Guitar Picker
