Tag Archives: WLAC

What Do You Do When You’re #@&% Tired Of Being Fired?!?

MichealZiantsAKA-MikeMcCannQ-93Article-1984
1984 Times-Picayune Sunday article about that new Mike McCann dude at Q-93

 

When clients first visit my Airlift Productions Studios here in New Orleans one of their first questions is regarding my motivation for building such an awesome recording space & studio complex in the first place.

My response? “Well, quite frankly, I have an entrepreneurial drive that was born and forged in the fires of unemployment!”

Really.

Q-93 Memo to Staff & Times-Picayune article about Mike McCann's exit
Q-93 Memo to Staff & Times-Picayune article about Mike McCann’s exit

I just grew tired and weary of the corporate radio mentality that treated warm, talented and caring humans – with families to look after – as simple commodities!

While much of America today it seems is constantly being outsourced, marginalized, downsized and capsized, even back in the ’80s, I wanted to forge, hand-craft, and create my own future.  

Enter the Airlift dream.

AirliftProductionsRecordingStudioNewOrleans2014PromoPic
              Airlift Productions Recording Studio, New Orleans Master Control on Pomona

 

Pause to consider, I would never have been at Q-93 Radio (WQUE-FM) in 1983 had WIFI-FM in Philadelphia not terminated my position.  A format change to “Rock of the ’80s” – Psychedelic Furs, Oingo-Bongo, Roxy Music, X, Berlin all the time – in early ’83 led to my dismissal.

Imagine taking this excuse to the PA unemployment line bean-counters, “Well, the consultants considered my on-air approach & style too adult sounding and too mature for the new format!”  Really.

I would never have been at WIFI in Philadelphia had management not fired the entire air staff at WLAC in Nashville.  This legendary 50,000 watt radio station sat on Music Row in Nashville, was owned by Billboard Magazine at the time, and reached Canada and Cuba from the mid-south with it’s remarkable signal.

But it all didn’t matter when Billboard sold the station to new owners – who then changed the format to All-Talk/News and fired/terminated its entire air staff, including yours truly.

MichealZiantsAkaJohnStJohnWLACNashville1980
Airlift Proprietor Micheal Ziants as alter-ego John Saint John, in the production room at WLAC, Nashville, 1980

I would never have been on-air at WLAC had the Pulitzer family in St. Louis at 55-KSD not made a similar move. The radio station was sold to new owners who then changed the format to All-Talk/News and fired it’s entire on-air personality music air staff.

Are you beginning to see a pattern here?  Enter the Airlift dream.

Note that my exits from WKBO in Harrisburg in 1978 and from WQUE here in New Orleans were indeed at my own hand.

I left Harrisburg on my own terms to pursue my first major market air shift in St. Louis.  And I indeed exited Q-93 (as afternoon DJ/Air personality) in 1985 to build my own dream, to fulfill my destiny… to create Airlift Productions.

Airlift Productions was my way of taking all the skills that I’d learned working for “the man” and putting them to work for myself! I simply parlayed the many skills hard-earned and fine-tuned through all those radio years into self-employment as a VoiceOver talent and recording studio owner.

MichealZiantsAsMikeMcCannQ-93Ad-1984The final chapter?  Well, it has yet to be written.  As the old advertising adage goes… “watch this space…”

Airlift Productions ~ Audio Alchemy & Digital Magic from New Orleans since 1984 

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Airlift Mike Onstage with Sid Noel at NOLA’s Orpheum Theater, Halloween 2019

“Dr. Ziants:

My dear colleague, it was a true delight to visit and work with you in your digital laboratory. I somewhat envy your remarkable equipment, which far exceeds anything we can afford here in the old city ice house. Your audio production facilities are second to none, and I thank you again for the excellent recordings you produced for the Momus A. Morgus Institute.” — Momus

** A tested-by-time Testimonial from Dr. Morgus (aka – Sid Noel Rideau) direct from the old city ice house to the Airlift digital lab via email.

 

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WIFI-92, The City of Brotherly Love & John St. John: The Rear View Mirror

A 1980s era WIFI-92 Bumper Sticker & T-Shirt Design.
A 1980s era WIFI-92 Bumper Sticker & T-Shirt Design.

In 1982, Philadelphia moved to a different beat in a different world. And I was fortunate and blessed to make radio magic there, shoulder-to-shoulder, with the legendary late Don Cannon, radio wizard Tom Bigby, the wickedly talented Andre Gardner, and the sassy, smokey Liz Kiley.

Yes, in those prehistoric days before the internet, the web, and a digitally-connected world, RADIO was the thing. No iPads, iPods, iPhones… if you wanted to hear your favorite song, you turned on a radio!

In 1982, Ronald Reagan sat in the Oval Office, ‘E.T” was huge at the box office, and my “office” was the morning drive chair 5:30 – 9:00 on WIFI-92!

One of my fave Rejection Letters during the post-WLAC 1981 Radio Job Hunt ~ just keep the Faith, Mike
One of my fave Rejection Letters during the post-WLAC 1981 Radio Job Hunt ~ just keep the Faith, Mike

Picked up on waivers from Nashville, out of work for nearly half a year due to Billboard Magazine’s fall ‘housecleaning’ at WLAC, I came to the attention of big Tom Bigby. He liked what he’d heard on an aircheck, called, we met during a layover at the Nashville airport – and he hired me.

It’s  really hard to find the words to describe the thrill of the morning call to the starting gate.  (Despite some mornings being the ‘snow plow’) I mean, what a challenge to be the first voice a person heard in the morning – in the bathroom, the kitchen, by the bed, under the car dashboard in the commute – in Phila-freakin’-del-phia!

Rockin’ the Cradle of Liberty ~ WIFI, Philadelphia.

Morning Drive Radio was exciting, pulse-pounding and very rewarding on many levels. But what I remember most about the Philly days/daze is Satur-days!

Airlift Mike (Ziants) aka John Saint John in the WIFI Production Studios 1982 (thanks to brother Andre Gardner for the pic)
Airlift Mike (Ziants) aka John Saint John in the WIFI Production Studios 1982 (thanks to brother Andre Gardner for the pic)

Every Saturday, from 10 am to 3 pm – the most listened-to weekend day part – I cranked up TURNTABLES, brought in the most amazing collection of VINYL and held court with “From Motown to the Philly Sound”!

It was my professorial, Dick Clark-ish, honky, white boy approach to the most sizzlin’, cookin’, excitin’, sex-citin’ hit music of the 20th century.

Temptations. Four Tops. Supremes. Junior Walker. Marvin Gaye. Martha & her Vandellas. Spinners. Harold Melvin & his Blue Notes. Barry White. Michael Jackson… all served-up with background, historical facts, dates, anecdotes – and fun!

** John Saint John Entertains Philadelphia on WIFI-92 ~ From Motown to the Philly Sound in 1982 **

But…

mqdefaultIn early ’83, the Bala Cynwyd-General-Cinema corporate crew (Art Camiolo, et al) decided to hire a consultant out of Los Angeles (only the name has been changed/dropped to protect the guilty), change the format to ‘Rock of the ’80s’, and fire/terminate that morning John Saint John dude because he’s way ‘too adult and mature sounding for the new format’!? As I sat in Lafayette Hill with a wife and new child.  Really? 

But, ya know, when you’ve found a way to take all the sh*t folks throw at you … and then throw it over your shoulder to use as fertilizer for tomorrow’s crops, you roll with it.

As Dr. Napoleon Hill taught me, in the ashes of every defeat sleep the seeds to a greater or equivalent benefit.  And I am a graduate – with honors – from the University of Adversity.

Besides, New Orleans …. and my destiny …. and Airlift Productions were calling.

Pardon me while I pick up the phone.

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“I had the extreme pleasure of working with Mike of Airlift Productions for a project in 2016. He was professional, courteous and most importantly, fun to work with. Mike is patient and very thorough with his recording, making sure that what you want is done before he powers down the gear for the day. 10/10, I would work with him again.”– JARED GARCIA, Sr. Recording Engineer for Blackstone Audio and Downpour.com

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Airlift Productions ~ Audio Alchemy from NOLA since 1984