What Do You Do When You’re #@&% Tired Of Being Fired?!?

MichealZiantsAKA-MikeMcCannQ-93Article-1984
1984 Times-Picayune Sunday article about that new Mike McCann dude at Q-93

When folks first visit my Airlift Productions Studios here in New Orleans, one of their first questions is regarding my motivation for building such an awesome recording space in the first place.

My response? “Well, quite frankly”, I tell them, “I have an entrepreneurial drive that was forged in the fires of unemployment!”

Really.

Q-93 Memo to Staff & Times-Picayune article about Mike McCann's exit
Q-93 Memo to Staff & Times-Picayune article about Mike McCann’s exit

I just grew tired and weary of the corporate radio mentality that treated warm, talented and caring humans – with families to look after – as simple commodities!

As all of America today it seems is constantly being outsourced, marginalized, downsized and capsized, even back in the ’80s, I wanted to forge, hand-craft, and create my own future.  

Enter the Airlift dream.

AirliftProductionsRecordingStudioNewOrleans2014PromoPic
Airlift Productions Recording Studio, New Orleans, 2020 Panoramic Studio Pic. Check it out … “Weapons of Mass Production”

I would never have been at Q-93 Radio (WQUE-FM) in 1983 had WIFI-FM in Philadelphia not fired me.  A format change to “Rock of the ’80s” – Psychedelic Furs, Oingo-Bongo, Roxy Music, X, Berlin – in early ’83 led to my dismissal.

Imagine taking this excuse to the PA unemployment line bean-counters, “Well, the consultants considered my on-air approach & style too adult sounding and too mature for the new format!”  Really.

I would never have been at WIFI in Philadelphia had management not fired the entire air staff at WLAC in Nashville.  This legendary 50,000 watt radio station sat on Music Row in Nashville, was owned by Billboard Magazine at the time, and reached Canada and Cuba from the mid-south with it’s remarkable signal.

But it all didn’t matter when Billboard sold the station to new owners – who then changed the format to All-Talk/News and fired/terminated its entire air staff, including yours truly.

MichealZiantsAkaJohnStJohnWLACNashville1980
Airlift Proprietor Micheal Ziants as alter-ego John Saint John, in the production room at WLAC, Nashville, 1980

I would never have been on-air at WLAC had the Pulitzer family in St. Louis at 55-KSD not made a similar move. The radio station was sold to new owners who then changed the format to All-Talk/News and fired it’s entire on-air personality music air staff.

Are you beginning to see a pattern here?  Enter the Airlift dream.

Note that my exits from WKBO in Harrisburg in 1978 and from WQUE here in New Orleans were indeed at my own hand.

I left Harrisburg on my own terms to pursue my first major market air shift in St. Louis.  And I indeed exited Q-93 (as afternoon DJ/Air personality) in 1985 to build my own dream, to fulfill my destiny… to create Airlift Productions.

Airlift Productions was my way of taking all the skills that I’d learned working for “the man” and putting them to work for myself! I simply parlayed the many skills hard-earned and fine-tuned through all those radio years into self-employment as a VoiceOver talent and recording studio owner.

MichealZiantsAsMikeMcCannQ-93Ad-1984The final chapter?  Well, it has yet to be written.  As the old advertising adage goes… “watch this space…”

Airlift Productions ~ Audio Alchemy & Digital Magic from New Orleans since 1984 

******************************************************************

Airlift Mike Onstage with Sid Noel at NOLA’s Orpheum Theater, Halloween 2019

“Dr. Ziants:

My dear colleague, it was a true delight to visit and work with you in your digital laboratory. I somewhat envy your remarkable equipment, which far exceeds anything we can afford here in the old city ice house. Your audio production facilities are second to none, and I thank you again for the excellent recordings you produced for the Momus A. Morgus Institute.” — Momus

** A tested-by-time Testimonial from Dr. Morgus (aka – Sid Noel Rideau) direct from the old city ice house to the Airlift digital lab via email.

 

**********************************************************************

“How I Spent My Summer Vacation” ~ at Essence Fest 2018!

Airlift Mike Essence Fest Tweet July 2018

Here in 2022, as New Orleans welcomes ESSENCE FEST back to town after a lengthy hiatus (thx for nothin’, Corona),  I’m re-posting this rather unique blog from a summer that’s only four years ago…although it seems like a lifetime ago, ya know? Someone cue-up Gloria Gaynor’s ‘I Will Survive!’ (Thank you, Mr. EssenceFest DJ.)

With all due respect to Jada, Tiffany, Regina, and the Queen, a “Girls’ Trip” this wasn’t! Not as crazy, foul or funky, but what a trip it was.

When the early June call came into my Airlift Productions Studios from a “Sam” at NYC’s Team Epiphany, I wasn’t quite sure what to make of the proposed job.

Samantha Whidby, project manager, had found my website via a Google search, and was looking for some help at Essence Festival 2018.

Team Epiphany, as it turns out, handles some pretty hefty clients, like HBO, Nike… and Coca-Cola; and they had their sights set on making some “noise” for Coke within the Convention Center for this annual epic summer extravaganza.

The job?

Put together a team of audio engineers to man two recording studio booths at Essence Fest to engage and embrace the consumer by helping her to record unique beats on drum pads using Coca-Cola sound effects!

Yours truly, in specially designed Coke recording booth, Essence Fest 2018

What?

The beats would be then recorded to computer, saved as mp3s, and then sent to the consumer’s email address, allowing her to then save it to her phone, and even use it as her unique Coke-Essence-Fest ring tone.

Like I said, I wasn’t quite sure what to make of the gig.

But make it, we did. And how!

Let the “Boys’ Trip” begin….

Kind of like Tom Sawyer’s summertime tale of talking his comrades into helping him paint the fence, within a few phone calls I’d lined-up my summer vacation posse.

“Special Ed” Pepper and “DJ-HB” Harold Bonner hard at work, Essence Fest 2018

Accomplished, yet retired,  civil engineer (audio savant and all-around tech-head) Ed Pepper, along with college student (and aspiring DJ) Harold Bonner agreed to saddle-up for the ride.

So, how did it all come out?

Well, across the entire Essence Festival weekend – July 6th, 7th & 8th – we recorded over 300 unique beats!

And gave the consumer more than a “Coke and a smile”.

We gave them customized, unique ringtones like this…

** Coke SFX Beat with R&B groove mp3 ~ Essence Fest 2018 **

** Coke SFX  Beat with Hip-Hop groove mp3 **

Gee, we sure have come a long way from the days of Mad Men, Don Draper, and those “I’d like to buy the world a Coke…and live in perfect harmony” jingles of the 20th century, huh?

But throughout history and on into the future, “youth will be served” – Coca-Cola, that is.

And beats.

*****************************************************************

Norman Robinson & Airlift Mike, tracking VoiceOver session,  at Airlift Productions New Orleans

” I’ve had the privilege of working with professionals all over the world. Micheal Ziants is among the best of them. His professional integrity is only surpassed by his love for humanity. It is perhaps his boundless humanity that drives his passion for his work and his compassion.. to say nothing of his appreciation and understanding of the human spirit, at it’s most creative level.” — NORMAN ROBINSON, former CBS News White House correspondent & Longtime New Orleans Television News Anchor

*****************************************************************

Airlift Productions ~ Audio Alchemy & Digital Magic from New Orleans since 1984.