While I began talks with NOLA’s iconic Dr. Morgus for his big show early this year, little prepared either of us for the events of early Saturday morning, Oct. 12th, 2019.
You see, New Orleans became the headline in America’s national news that day as the Hard Rock Hotel construction site on our Canal Street unexpectedly and catastrophically collapsed!
The problem? The city of New Orleans was now in a heightened state of emergency – 36 hours from our big showtime at NOLA’s majestic Orpheum Theater, which sits right around the corner but steps from the Hard Rock site.
In true, “The show must go on” style, Uncle Sid & I, together with Orpheum GM Ivy Mouledoux and production ace Lewis D’Aubin, put our heads together, kept our collective cool, and delivered anyway.
To the uninitiated, Dr. Morgus (The Magnificent) is New Orleans’ beloved, legendary & iconic late night horror movie host and alter-ego to my dear pal Sidney Noel. So, to celebrate 60 years of Morgus (the show debuted in 1959), we’d planned our Big Halloween tribute, “An Evening with Sid Noel: The Recollections of a Mad Scientist”.
Social media, Radio & TV blurbs sure helped to get the word out, but a mere 36 hours from the Hard Rock fiasco, the curtain went up at the Orpheum Theater at precisely 7:00 PM Sunday night, Oct. 13th to a “souled-out”, packed “Friends of Science” crowd.
Acting as emcee, I warmed-up the audience, we rolled into a half-hour Morgus Show highlight montage film, and then I introduced “The Master”…. as Sid walked on-stage to a thunderous, standing overture of affection.
With warm, reflective tones and a comedic style belying his 89 years – and without the aid of a teleprompter or notes – Sid nimbly and effortlessly entertained the crowd as he reminisced with story after story about his lifelong relationship with “The Higher Order’s” Doctor Morgus.
As our old pal Dr. JOHN would often sing & say, it was, “Such a Night”!
By the time it was all over, hearts were warmed, smiles were embraced, memories were kindled – and the show raised well over $43,000.00 for Alzheimer’s Louisiana!
(Very personal note) Uncle Sid, I can’t thank you enough for this opportunity to serve – as both emcee & highlight reel voiceover, for this most wonderful priceless memory, and for the inspiration your tireless efforts have given my aging body.
May the Good Lord indeed Bless & Keep You!
As I write these words, the fate of downtown New Orleans and the Hard Rock Hotel site is still very much up in the air… but rest assured that the legacy of Sid Noel’s Morgus The Magnificent has never been on more rock-solid ground.
“Working on the road can be a pain for voice artists – I was so glad to find Airlift studios on my travels, just outside NOLA’s CBD! What a beautiful, cozy, and quiet space to work in. Michael was an absolute pleasure to work with, being 100% professional and 100% nice guy! If I’m ever in the Big Easy again, I’ll be sure to stop in and see Mike at Airlift Productions.” — Toby Ricketts, Award-Winning, World-Class, New Zealand-based Voice Talent
Around the Airlift Productions Studios, I still get into this one with my video production pals – when it comes down to audio versus video, which of the two is more powerful and packs the bigger punch?!?
I mean, what is all televison except radio… with pictures? Which came first? And where are the more powerful emotional cues?
You know, the ones that capture attention, motivate, inspire, scare … and drive someone to action?
Pause to consider, the very first sense that develops as the human develops within the mother’s womb is …. wait for it – the sense of HEARING! The growing infant HEARS the mother’s heartbeat and the rush of amniotic fluid, almost like ocean waves, surrounding it’s ears.
The eyes are nowhere in the picture yet.
Now, picture yourself in a movie theater. You are terrified by the motion picture – from b/w ‘Psycho’ in the ’60s to the latest flick about some camp counselor gone crazy chasing teens through the woods with an ax – and you can very simply close your eyes.
But you cannot close your ears!
The shrieks of terror, the ragged breathing, the sound effects, the dramatic music pulsing and pounding. Even when all sounds disappear and come to a complete … heart-pounding … stop!
Interestingly, the Creator gave us eyelids… but He didn’t give us EAR-lids!
Now, talk to a hospice caregiver, and they’ll quickly tell you from experience that in the majority of cases the final sense to leave us at death – is the sense of hearing.
More to the point, in the case of television advertising, when an ad comes on, many are off to the bathroom or into the kitchen. In this case, all the expensive video editing software and fancy visual zips and zaps are superfluous! They are not even there in the experience of the intended viewer.
And since time immemorial, the story-telling tradition, as one generation passed legend and myth and bedtime stories down to the next, the entire ‘presentation’ was aural – powerful, memorable and impact-full.
Sorry, video aces, but audio trumps video. It will always be AUDIO that drives the emotional train.
“Airlift is THE place to go for a top quality demo. With Mike behind the board you are in very capable hands. His vast knowledge and command of all things audio blends with his laid-back fun environment to bring out the best in any voice. Airlift Productions has the experience and all the tools necessary to make a voice-over reel that is on par with anything you would find in New York or LA!”
With Ken Burns’ epic PBS mini-series documentary on Country Music now being splashed across flat screens all across America, someone cue the “flash-back” harp music….
One of my more obscure contributions to the media DNA of New Orleans was performing as morning drive air personality on the ill-fated rockin’ country WQXY, Y-96 FM.
While continuing to operate the Airlift Productions studios, then on Iberville Street just off Carrollton and Canal Street, early mornings in late 1989 and early 1990 found me on top of the Plaza Tower building near the Superdome waking UP the Big Easy.
And, WHEW! What a view.
Today in 2019 the same frequency is under Entercom rule and plays classic rock under the Bayou 95.7 banner.
But 29 years ago it was a different game in a different town.
Y-96 FM was an ill-fated attempt to unseat NOLA Country mainstay WNOE … from, ironically, an ill-fated building, that since Katrina in 2005 has remained vacant, and a subject of asbestos-tainted controversy.
But that’s another story all together.
As the radio fates would have it, a former on-air buddy from the old Nashville days at WLAC, Smokey Rivers (Fred Flanzer), had stepped-in as consultant to Ric Frances (WQXY GM), and I was offered the morning drive position.
So, while continuing to operate Airlift Productionswith all my freelance jobs – WGNO-TV, Ronnie Lamarque, The Esplanade Mall, WNOL-TV, The United Way – I also covered mornings for the Y-96 FM Waking Krewe!
Sample just a taste of “your morning M & M on the FM”, sandwiched in-between Dolly Parton, George Strait, Ricky Van Shelton, and Roseanne Cash, here …
** “Mike McCann” WQXY, Y-96 FM, January 1990 **
Ironically, John Volpe (mentioned here as a fellow air personality) today in 2019 is still a super salesman for the Entercom krewe, which today operates this frequency 95.7/Bayou; and Terrell Robinson (featured here) just recently hung-up his “spurs” & headphones after decades of plying his trade as traffic reporter in New Orleans.
Funny, isn’t it, how some things change, and others remain the same.
Here in 2019, country music sure has changed, the radio stations and owners (like an adult game of musical chairs) sure have changed, but the one now-decades-long constant in the whole NOLA media mix?
“My experience with Airlift Productions was top notch from the start. My company is based in Los Angeles and I had a client that needed to do a last minute VO session in New Orleans. Micheal was incredibly knowledgable and accommodating, not to mention a blast to work with! Our session turned out beautifully. ” — Lizz Rantze, Executive Producer, Rantze + Raves Productions, Los Angeles, CA
I first met – and recorded – Morgus The Magnificent back in 1986 in the very first version of Airlift Productions – the closet of my one bedroom apartment at Rock Creek just off Clearview Parkway in Metairie, Louisiana.
Of course I’d heard all the stories about this New Orleans icon, the mad scientist, Saturday nights since 1959 with entire families & sleep-over parties huddled around cathode ray tube TVs as Dr. Morgus, wrapped around horror/sci-fi movies, would unveil his latest zany experiment… I’d just never met the man.
Relatively new to NOLA at this point – and acting as Station Voice and Producer with Tribune Broadcasting’s WGNO-TV – I was asked to meet with him and record some tracks for his newly re-launched television show “Morgus Presents”.
Sid Noel showed up that night and we went on to record knee-to-knee (it was a closet, right?) all the E.R.I.C. the talking skull voice tracks to be used in all the upcoming broadcasts.
Fast-forward the tape to 2019 and Uncle Sid and I are still at it!
Through the decades we’ve worked on many a project together, but none more ambitious than what we’ve got cooked-up for New Orleans, all its “Higher Order” devotees … and this Halloween.
Sid turns 90 years old this Christmas day 2019 (where do you think the Noel came from?) but not before we roll-out his One-Night-Only One-Man-Show — An Evening with Sid Noel: Recollections of a Mad Scientist.
On this one night – October 13th, 2019, the night of the full moon – LIVE on-stage at New Orleans’ Orpheum Theater, Sid will address his generations of fans as himself, the genius (my words, not his) behind the mad doctor for the very first – and last – time!
He’ll rip back the curtain (ala the Wizard of Oz) and reveal all the secrets and bizarre stories never before heard by anyone about one of New Orleans most beloved & iconic television stars… directly from the mouth of the man that made it all happen.
Honored I am to tag along on this wondrous night as his 21st century Chopsley, as I will assist “the Master” acting as emcee for the affair, as well as offering my voice over chops for the opening film presentation…
This promises to be a night all of New Orleans will never forget!
Which brings me to the REAL point of the evening… not forgetting.
You see, the entire show, all these memories, all these efforts… are to benefit the Alzheimer’s Association and their quest to find a cure for this devastating debilitating disease.
Furthermore, the entire show will be recorded and preserved on DVD, with all proceeds moving forward in perpetuity going directly to the krewe at the Alzheimer’s Association.
“Michael is without a doubt one of the most versatile audio and production experts in the industry. “ — Norman Robinson, Former CBS White House correspondent & WDSU News Anchor, currently Voice Talent, Coach & Mentor
The National Weather Service defines the “Eye” as the region of mostly calm weather at the center of strong tropical cyclones.
Metaphorically, the ever-changing media & technology would be the tropical cyclones/hurricanes, and Airlift Productions & I would be the ones whohave for over thirty years resided… calmly, persistent & steady, in the hurricane’s eye.
In 1984, the needs of my first full-time client – WGNO-TV/Tribune Broadcasting – gave birth to the Airlift Productions Studios.That very year Ronald Reagan sat in the Oval Office, the compact disc was brand new, and top-rated CBS affiliates WWL-TV & WWL radio here in New Orleans were owned by Loyola University (“World Wide Loyola”) and… the Catholic Church.
From the changing complexion of the White House to digital music distribution (and piracy), TV/radio deregulation and consolidation, and from Loyola’s WWL ownership to Gannett, Tegna & Entercom … my, how the media and technological winds have blown!
Meanwhile, through all the changes and through all the years, Airlift Productions and I have resided calmly and ever-persistent in the Hurricane’s Eye.
A recent Search Engine request for just two words “Airlift Productions” yielded the most remarkable result – in the Images section was an internet-search-generated montage of a Life lived in the Hurricane’s Eye…
There was every studio I’d ever built – from the closet at Rock Creek Apartments to Iberville to Pomona. There was Norman Robinson, Rich Lenz, Heath Allen, Deuce McAllister, Congressman Steve Scalise, Dr. Morgus, Rachel Wulff, Jamie Neumann, Sean O’Shea, Sister Thecla, even studio mascot The Shadeaux, the studio’s stained glass window and game room!
From radio commercials, TV voice-overs, music projects & audio books, to educational software, industrial training & safety videos, from cathode ray tubes to flat screens and broadcast to podcast – the Airlift Studios & I have shifted and tacked into the winds of change … while remaining calm & steady in the Hurricane’s Eye.
“Nothing in the world can take the place of Persistence. Talent will not; nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence & Determination alone are omnipotent.” ~ Coolidge/Ziants
*** Micheal Ziants AUDIO BOOK Demo ***
And the winds continue to blow! My grandfather John was born before the radio, my father Charlie was born before the television, and I was born before the internet & digital.
Well, whatever it is, you can rest assured that Airlift Productions and I will be there … in the Hurricane’s Eye.
“We’ve worked with Mike for almost 15 years, both as voice over and on-camera talent in more than 50 films. Not only is he a great guy and a super talent, but he has the coolest recording studio in the South.” ~ TIM WESTON, President TLW Productions, NOLA
Hired by Quincy Jones’ staff and his daughter Jolie to record Mac’s VoiceOver tracks for their Take It Back Foundation, I first met the Nite Tripper in the Airlift Productions Iberville days during NOLA’s raucous early 1990s.
He walked in without pomp or circumstance, no entourage, no fanfare, no feathers, solo… but just as cool as the other side of the pillow.
Our job wasn’t anything to do with music, it was all about VoiceOver – he’d been cast as the Yak in Quincy’s animated PSA to promote recycling efforts and it was destined for use in movie theaters, television & MTV across America that summer.
We phone-patched to Los Angeles and together with Stevie Wonder, Ozzy Osbourne, B.B. King, Natalie Cole, Pat Benatar, Charlie Daniels, Barry White… and Bugs Bunny…
With a hip-hop beat straight outta “In Living Color” – Fox’s big hit at the time – it all showed-up in movie theaters like this…
Some recording session, I’ll tell you that.
When Mac, not even asking if he could smoke, pulled out a Cheroot and lit it up, we rushed an ash tray into the booth without giving it a second thought. Sort of.
And when he asked if he could “use the facilities”, I took him up in the elevator to the Iberville Street living quarters, to the bathroom, where he encountered my then-one-year-old son Benjamin.
Imagine, if you can, Dr. John setting his walking stick aside, so he could pick up your child, hold him… and whisper sweet voodoo nothings in his ear!
Our second session, the following year, was all about VoiceOver for an awards presentation, wherein Mac was hired to record the introduction to accompany this big, splashy video – all about New Orleans legendary Red Light District!
Our paths – and stars – would continue to cross through the next couple decades, most notably at New Orleans’ Big Easy Entertainment Awards Shows.
I was honored to act as ‘Live Announcer’ for the show for ten consecutive years and Mac, being the one and only Dr. John, would be along many years to receive an award, or just to perform.
Just. As if.
My favorite memory was the year his mother flew in from NYC for the show, so Mac tracks me down and tells me that he wants me to meet his mama… and together we made the trek across the Fairmont ballroom so I could give my regards to his Dorothy.
Indeed, while Mac’s bouts with smack/heroin through the years are the stuff of legend, he had successfully navigated those choppy waters and was ‘clean’ the entire time I ever was fortunate enough to talk and record with him.
Through the years – the recording sessions & Big Easy Awards – we talked and laughed of many things… his love for New Orleans, his love of music, the ‘Big Picture’… existential things like living a life with “one foot in this world… and the other… in the other”!
Much in the way that Time Magazine caught his candor here…
The last time we ever spoke to each other?
It was at the funeral for Cosimo Matassa, New Orleans’ legendary, seminal recording engineer and producer.
Along with a Who’s-Who of New Orleans music royalty – Allen Toussaint, Irma Thomas, Quint Davis, Deacon John Moore, Benny Grunch – we’d all gathered to say goodbye to Cos, the big mac-daddy that started it all down on Rampart all those years ago.
Dr. John had flown into NOLA from NYC to say his final farewell to Cosimo down at Lake Lawn.
Now, here in 2019… it’s his turn.
Yeah, we all may very well be ‘whistling past the graveyard’ but, damn – nobody whistled that tune better than Dr. John!
And just like ‘dat, mellifluous, mesmerizing, mystical Mac moves on… from New Orleans & ‘da World.
I mean, there IS the matter of all that fantastic music he left us.
Deepest thanks for all that hoodoo voodoo that you did so well, bud.
If you ever recorded at or visited or got silly during Friday ‘happy hours’ at the now-the-stuff-of-legend Airlift Productions Iberville Street location … have you ever paused to consider what it took to create that remarkable space?
It’s not too bold a statement to say that my blood is quite literally in the mortar that holds the very bricks in this wall together! For though I am not a mason or a brick layer, I certainly played one in 1989 on Iberville Street.
With the help of just one other guy (Joe Delery now works in the crime division of the NOPD), I also pounded the nails, hung & floated sheet rock, packed insulation, laid carpet, and wired the entire facility. Whew!
And a whole host of radio rebels, stand-up comics, misfits, in-laws & outlaws!
The mantra through the entire construction stage was ‘Build it…and they will come!’ What a passion, what a studio… what a time!
** A “Mike McCann” classic VoiceOver/Production Demo from the 90s, all produced on Iberville with R-R tape – for NOLA clients like WVUE-TV, Pat O’Brien’s, Times-Picayune, etc. ***
But as much as I loved this location, Iberville street, the elevator, my Endymion parties, and having Venezia’s Italian food, Angelo Brocato’s, Mandina’s & Liuzza’s but a block or two walk away … I flooded twice at this location – and this was well before Mother Katrina came to town!
So, I ran with my prophetic visions and in early 2001 moved the entire Airlift Productions business well out of the flood plain and to the high ground just the other side of the now-infamous breached 17th Street Canal . To start over.
But Airlift on Pomona – along with its construction & marketing challenges – is the story for another blog and another time.
“Working with Airlift Mike in NOLA was an utter pleasure. I was in town for business for a month and needed to maintain my audiobook recording schedule. Mike was accommodating and a pure professional. He mastered the punch and roll technique in 24 hours to be ready for our first session, and over the course of the month we laid down 5 books and a number of auditions. His studio sounds great. The vibe & atmosphere can’t be beat. You’d be hard pressed to find a better recording studio in the southeast – no matter what your needs. I wish I could have stayed!” ~ AMY LANDON, Los Angeles-based Actress & Ultra-busy AudioBook Narrator
While I daily walk with ‘the saints’ – ya know, guys like Paul/Saul of Tarsus, Francis (of Assisi), Sister Thecla, et al – this post is all about my years and stories of time spent with our New Orleans Saints.
It all began way-y back in 1983.
As the young (er) DJ/Q-93 Radio air personality Mike McCann, doors were opened to me that, quite frankly, not everyone gets to walk through.
Together with Walton & Johnson (new to NOLA and also new to WQUE-FM radio), we emceed talent shows, cheerleader competitions… I even hosted Ladies’ Nights at the Airport Sheraton’s nightclubs known as Nightlite and Valentine’s.
My ‘job’ on those nights was to entertain – walk the club with a wireless mic, run crazy contests, give away concert tickets, albums (yes, vinyl), tell jokes, and keep the party going.
The club was packed every night and the dance floors were jammin’ to the likes of Rick James, Prince, Michael Jackson, Chaka Khan, Whitney Houston, Stevie Wonder….
The regular crowd on those poker-hot wild nights included Morten Andersen, Brian Hansen, Dave Waymer, Saints new & old, even members of the then-fledgling U.S.F.L.’s New Orleans Breakers.
In the ’80s, the Saints’ go-to kicking team was Morten Andersen & Brian Hansen, and one night I showed up for Ladies Nights only to find Morten & Brian, dates in hand, waiting in line to get in!
Of course, I helped them ‘cut’ the line. Wouldn’t you?
Legendary Saint free safety, the late Dave Waymer (ole #44) was a regular, sitting at the end of the bar through many a night. I have fond memories of Dave, the laughs we shared, as well as the the way-too-many Canadian Moosehead beers he would send my way.
Sadly, upon exiting NOLA for brief stints with the 49ers & Raiders, Dave died suddenly on his North Carolina farm at the age of only 34.
In the early ’80s, now-Pro Football Hall of Famer Morten Andersen, the Great Dane, was new to the states & New Orleans, while I was freshly-minted as the new afternoon drive guy on Q-93.
Upon meeting in ’83, we bonded, talked on-air together, laughed and swapped stories, hung-out at the clubs together, even chased a woman or two together. Great guy, great times, greater stories.
And not many fit for a blog post.
Fast-forward to the ’90s, and in the early days of Airlift Productions, in the Iberville Street years, my audio production skills, voice and writing came to the attention of Archie Manning.
Archie, together with Mississippi bodybuilder Steve Smith, created Archie Manning’s Golds Gym at Cleary and Veterans Blvd. in Metairie, and I began a two-year run working alongside Archie to promote the gym.
This involved regular meetings with Archie, my writing of all the spots, audio production, and regular studio visits to record with Archie.
While I’ve never met his boyz Peyton & Eli, I’ve sure shared some amazing times with ole #8, the dude that started it all!
I first met and recorded living legend & ‘ground pounder’, the Saints’ Dulymus “Deuce” McAllister in 2016, after being sought out to record his voiceover tracks for the Mississippi State Child Protective Services Department.
Together, we phone-patched to their offices and captured his voice for use in a PSA campaign that ran all over MS. radio & TV for a cause that Deuce & I hold close to our hearts – keeping our kids out of harm’s way.
‘Nuff said. But what a great, humble, and soft-spoken guy this is.
St. Louis-bred Brad Edelman, ole #63, was drafted by the Saints in 1982, got to NOLA just a bit before me, and went on to become the first offensive lineman in the history of the Saints selected to the NFL Pro Bowl.
He exited the NFL in 1991, began a thriving photography business, took up drumming, the harmonica, acting – and took to hanging out with yours truly.
Brad has come to my Endymion parties on Iberville Street, got to know my family, bought me lunches… and has spent a lot of time around my Airlift Productions recording, laughing, and, well, just being brotherly.
Through my now-36-year run here in New Orleans running the Airlift Productions Studios – from Iberville to Pomona – I’ve certainly got more than my share of colorful stories.
But my days/daze with our New Orleans Saints, young & old, still with us and those departed, are among my favorites.
And today, with so much of my work centered around the AudioBook field, I was joking just the other day with son Ben about Drew Brees.
Come on, I told him, if I’ve already recorded James Carville, Mary Matalin, Congressman Steve Scalise, & Necar Zadegan for the top AudioBook producers in NYC… even personally read “The Chef” for James Patterson’s gang….
Upon hanging up the cleats and retiring, walking away from the game, it’s safe to say that ole #9 Drew’s got a book or two in him, right?
Stranger things than this have already happened – one day he’ll need a great space, a finely-tuned recording studio, together with an experienced and reliable producer, to lay it down…
”Airlift Productions in New Orleans – Perfect sound in the booth, amazing engineering, and Mike is a man of all trades who can do voice work as well. (Probably the most golden-toned voice I have ever heard and we’ve all heard some lovely voices)… I cannot say enough nice things about the experience of working with him.” ~ LISA CAHN, Veteran Producer, Hachette Audio Book Group, NYC
When Denney first rang my phone, he’d found my website in a Google search, had experience behind a microphone – he founded the Weirdos, an LA-based punk band in the ’80s – had moved here to NOLA, and had never done a commercial in his life.
I said, “Well, John, we’ll change all that!”
And change it we did. It began with a commercial demo (heard here); after he landed his first job within two weeks of production, he subsequently returned to produce an animation demo… and a medical demo.
A longtime television news anchor and reporter, Rachel had moved to New Orleans just about ten years ago, and was, in 2017, looking to exit the TV scene and begin self-employment as a VoiceOver artist.
Again, like John Denney, she had a lot of on-camera and on-mic experience, but Rachel had no commercial background.
“For voice over actors, the demo serves as a calling card and is unquestionably the most important tool in the pursuit of voice over work. Mike Ziants and Airlift PROductions produced my first VO demo and within weeks I landed my first job in the industry. Airlift’s state-of-the-art recording studio combined with Mike’s wisdom and expertise provided me with an excellent demo as well as the confidence needed to achieve success.” ~ JOHN DENNEY, Founder/Lead Singer of the notorious LA-based punk band The Weirdos … and relatively new VoiceOver Artist
The short answer? All three! The long answer? How much time do you have? Too many questions? Oops, another question…
To begin with, all sound travels in waves. That’s analog. As I speak, my voice travels from my larynx to your ear as a wave form. Now, in capturing said wave form in a recording device or computer for editing and storage, it is still considered and called a wave form, but then it’s digital. Science.
But making MAGIC with that wave form is quite another thing altogether. Art.
Now, creating an environment, a creative space, a ‘vibe’, a place to make that audio magic – that audio alchemy – possible is yet another story completely.
First off, the entire Airlift Productions air space is completely out-of-square with no parallel walls, and the studio ceiling rises from front to back.
It’s built like the ancient Greeks built the amphitheater – sound waves naturally propagate from the near-field reference monitors in the front across the room to the back wall.
The Airlift Studios control room widens from about 6 feet at the front … to nearly 12 feet at the back. A critical listening space should never be constructed with parallel walls, ceiling & floor, as this creates standing waves, slap-back echoes and assorted audio headaches.
Room treatment, acoustic foam, carpeting on the walls, natural daylight filtered through stained glass, and dimmer-controlled mood lighting further enhance artist & engineer comfort & creativity through the entire recording process.
Yes, Art & Science get it on at Airlift Productions! To create MAGIC.
Purpose-designed for comfort, creativity & breath-taking sound, Airlift has delivered the goods since 1984 … from local to global with style!
From broadcast to podcast, big screen to small. From simple voice over tracks to full band or artist CD projects, test-drive your first session today, from wherever you are … on the web at Airlift Productions.
“Weapons of Mass Production” ~ Airlift Productions, New Orleans
Airlift Mike, always as close as the mouse on your desktop or the cell in your pocket at #504.833.8450.
“I had the extreme pleasure of working with Mike of Airlift Productions for a project in 2016. He was professional, courteous and most importantly, fun to work with. Mike is patient and very thorough with his recording, making sure that what you want is done before he powers down the gear for the day. 10/10, I would work with him again.” —-Jared Garcia, Sr. Recording Engineer for Blackstone Audio and Downpour.com